Affecté par un divorce douloureux, John James décide de venir habiter seul avec ses deux enfants dans une ferme. Rapidement, il va remarquer un comportement étrange chez sa fille. Il suspect... Tout lireAffecté par un divorce douloureux, John James décide de venir habiter seul avec ses deux enfants dans une ferme. Rapidement, il va remarquer un comportement étrange chez sa fille. Il suspecte de proches sépultures d'en être la cause.Affecté par un divorce douloureux, John James décide de venir habiter seul avec ses deux enfants dans une ferme. Rapidement, il va remarquer un comportement étrange chez sa fille. Il suspecte de proches sépultures d'en être la cause.
- Récompenses
- 1 nomination au total
Histoire
Le saviez-vous
- AnecdotesBased on a short story from the horror anthology "Nocturnes" by John Connolly.
- GaffesJames and his contractor prepare a batch of ANFO (ammonium nitrate + fuel oil) to blow up the mound. This is a 'tertiary' explosive, which means you cannot set it off with fire. It would just burn. To set off the detonation, you need to explode a secondary explosive, like a stick of dynamite, which in turn needs to be set off with a primary explosive, like a blasting cap.
- Citations
[first lines]
John James: [driving up to their new house] There it is.
Sam James: Real big.
John James: Mm. Want to go in first?
Sam James: Really?
John James: I don't see why not.
[turning to his daughter in the car]
John James: Are you coming? So?
Louisa James: [sulking] So what?
John James: So what do you... what do you think?
Louisa James: You already know what I think.
Costner was the movie's greatest strength. He brought a well known presence to this movie and he played the part of the increasingly confused and concerned father quite well. Happily (from my point of view) the movie avoided going for yet another cliché - although there was the opportunity, there was no romance introduced for Costner. For the most part, the focus of the story remained pretty much on his strained relationship with his daughter and his increasing concern for her well being. The kids in this movie (Ivana Baquero and Gattlin Griffith) weren't amazing, but they also didn't detract from the story the way some child actors can. They were believable enough.
Director Luiso Berdejo (who has very little experience as a director) did a decent job using the setting to good advantage, and he created a realistic atmosphere of suspense, slowly rising to fear. There were a couple of things I found awkward in the movie. The introduction of the university professor and his TA, for example. They served little purpose except to give an explanation of what might have been happening with the burial mound. Perhaps there could have been a better way of unravelling the mystery than the introduction of a couple of otherwise unimportant and unnecessary characters. Also, although I fully understand the use of the analogy, the ant farm really wasn't required. I would have understood the movie even without it, and somehow it cheapened this a bit; it's the sort of plot device you expect to see in a made for TV movie.
This isn't bad. It's not one of the great horror movies of all time, but it isn't bad. (6/10)
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Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut mondial
- 579 626 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1