La petite fleur vermeille

Titre original : Alenkiy tsvetochek

1952
42min

NOTE IMDb

MA NOTE

Ajouter une intrigue dans votre langueNastenka asks her good father to bring her a scarlet flower from his journey One thing she doesn't know: the flower belongs to a horrible beast.Nastenka asks her good father to bring her a scarlet flower from his journey One thing she doesn't know: the flower belongs to a horrible beast.Nastenka asks her good father to bring her a scarlet flower from his journey One thing she doesn't know: the flower belongs to a horrible beast.

Réalisation
- Lev Atamanov
Scénario
- Sergey Aksakov
- Georgiy Grebner
Casting principal

Voir les informations de production sur IMDbPro

NOTE IMDb

7,5/10

1,3 k

MA NOTE

Réalisation
- Lev Atamanov
Scénario
- Sergey Aksakov
- Georgiy Grebner
Casting principal

6avis d'utilisateurs

Voir les informations de production sur IMDbPro

Photos15

+ 9

Rôles principaux6

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Mariya Babanova

Lyubava
(voix)

Nikolay Bogolyubov

Stepan Yemelyanovich
(voix)

Olga Chepurova

Gordeya
(voix)

Vladimir Gribkov

Kondrat
(voix)

Nina Krachkovskaya

Nastenka
(voix)

Mikhail Astangov

Beast
(voix)
(non crédité)

Réalisation
- Lev Atamanov
Scénario
- Sergey Aksakov
- Georgiy Grebner
Toute la distribution et toute l’équipe technique
Production, box office et plus encore chez IMDbPro

Histoire

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Anecdotes
The film is an example of the Socialist Realism period in Russian animation, which lasted from the 1930s to 1950s and featured heavy use of rotoscoping as well as a focus on adapting traditional Russian folk tales. Nearly all of the character animation in the film was first performed by live actors or animals and then traced by the animators.

Connexions
Version of La belle et la bête (1899)

Avis des utilisateurs6

Commenter

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10/10

Based on an original Russian folk tale, not on Beauty and the Beast!

Other reviewers have already left excellent reviews. One thing I'd like to point out though is that this story is NOT based on Beauty and the Beast. Just like the story of Cinderella has various versions in folk cultures spanning from China to Iceland, the fable of Beauty and the Beast is also an ancient mythological storyline to which every nation eventually added its own twist.

In this case, the Russian folklorist Sergei Aksakov recorded The Scarlet Flower in mid-1850s "as told by my housekeeper Pelagea". Aksakov claimed he remembered her tale since his early childhood. This explains all the plot deviations from the version known to the Western reader as their own traditional fairy tale of Beauty and the Beast.

The animation does full justice to his story and still remains one of the most popular Soviet animation films today.