Ajouter une intrigue dans votre langueA young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future - blowing their entrenched British stuffiness out the w... Tout lireA young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future - blowing their entrenched British stuffiness out the window.A young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future - blowing their entrenched British stuffiness out the window.
- Récompenses
- 2 victoires et 6 nominations au total
- Warwick Holborough
- (as Michael Archer)
Histoire
Le saviez-vous
- AnecdotesIn the vintage Monte Carlo scene which opens the movie, when Larita first sees John, both her and John's movements are slowed down while the rest of the cast play at "normal" (i.e. newsreel) speed. This was accomplished by filming the crowd, Larita, John, the background, and the foreground mechanics separately against greenscreen and compositing them together at different speeds.
- Gaffes(at around 17 mins) Sarah Hurst describes Larita as "our beautiful cougar," meaning a seductress of younger men. The first known use of "cougar" in this context appeared in Canada in 1989, and the term did not become widely known until the 2000s.
- Citations
Mrs. Whittaker: Smile, Marion.
Marion Whittaker: I don't feel like smiling.
Mr. Whittaker: You're English dear, fake it.
- Crédits fousThe band playing the closing music calls out its members' names.
- Bandes originalesMad About the Boy
Written by Noël Coward
Published by Chappell Music Ltd. (PRS)
All rights administered by Chappell & Co. Inc.
Licensed courtesy of Warner Chappell Music Ltd.
Performed by Jessica Biel with The Easy Virtue Orchestra
This very British film is a nice switch from the typical Hollywood romantic comedy, and does not attempt to squeeze within the conventional mold which runs from Four weddings and a Funeral through Love Actually and beyond. The wry influence of the original Noel Coward play becomes fresh again decades later.
Colin Firth is especially adept underplaying the dissolute father in law. He is just there, being, not acting.Totally believable and convincing. When his character is illuminated in a brief soliloquy two thirds of the way through the movie, he is brilliant, and without the ham fisted exposition of so much modern writing, the entire family story is explained, and powerful social commentary on topics from hereditary lands to fox hunting to war to social decay to euthanasia are digested without chewing.
A great example of "Show, not tell".
Jessica Biel is beautiful, here as always, and is never requested to do more than she is capable of. I particularly liked how the film makers did not beat us over the head with her sexuality, going with a muted sensuality most of the movie, except in key scenes where her full power is unleashed to excellent effect.
Kristin Scott Thomas is well cast as the domineering disapproving mother in law, and the British supporting players are treats, though I thought Ben Barnes as the love interest lacked the presence to hold his own in this cast.
We could use more movies like this.
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Easy Virtue
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 656 784 $US
- Week-end de sortie aux États-Unis et au Canada
- 110 443 $US
- 24 mai 2009
- Montant brut mondial
- 18 463 793 $US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1