Vienne à l'aube du vingtième siècle, un magicien utilise ses capacités pour assurer l'amour d'une femme bien au-dessus de son statut social.Vienne à l'aube du vingtième siècle, un magicien utilise ses capacités pour assurer l'amour d'une femme bien au-dessus de son statut social.Vienne à l'aube du vingtième siècle, un magicien utilise ses capacités pour assurer l'amour d'une femme bien au-dessus de son statut social.
- Nommé pour 1 Oscar
- 11 victoires et 12 nominations au total
- Josef Fischer
- (as Edward Marsan)
- Young Eisenheim
- (as Aaron Johnson)
Histoire
Le saviez-vous
- AnecdotesSo that the crew would not have to use CGI to "fake" the magical illusions seen, Norton received intensive training in sleight of hand and other stage magic techniques from British magician James Freedman and American magician Ricky Jay.
- GaffesNear the end, Chief Inspector Uhl is in Prince Leopold's office. When the two argue, the boom mic is visible, going from one character to the other, in the reflection on the brass table lamp.
- Citations
Eisenheim: From the moment we enter this life we are in the flow of it. We measure it and we mark it, but we cannot defy it. We cannot even speed it up or slow it down. Or can we? Have we not each experienced the sensation that a beautiful moment seemed to pass to quickly, and wished that we could make it linger? Or felt time slow on a dull day, and wished that we could speed things up a bit?
Edward Norton's character plays an inscrutable but romantic master illusionist. But is he just a master illusionist or has he developed powers to effect the creepy conjuring of those who have passed on? (Regardless, the guy is so easy on the eyes.)
Jessica Biel is beautiful and good in her role but I couldn't help thinking, "Hey, Jessica, Scarlett Johanssen called. She wants her lips back."
Paul Giamatti bothered me just a tad at first because he spoke in a near-whisper and had a scruffy beard so you couldn't read his lips. He got louder and his character developed pretty darned well, thank goodness. Actually, he was fantastic (so what else is new?).
The makers of this movie did the same thing the makers of Little Miss Sunshine did--made me want to see the film twice, but for different reasons: LMS because the first time I saw it, I laughed so hard I cried, and I really needed a laugh again (and got it); The Illusionist because I was like the audience for the title character's shows the first time I saw it--just kind of naive and awed and staring up at the action with my mouth hanging open. So I'll have to see it again and pay attention. Kind of like when my daughter told me to go see The Sixth Sense again and pay attention to what Bruce Willis's character was wearing. (Plot-wise, this is unrelated, folks--just a movie watcher's analogy.)
At first, the old-fashioned circle wipes seemed a little distracting, but in retrospect, they were part of the excellent movie-making decisions that created the illusion of time and place in this film. A really good story with really good art direction and really good actors, costumes and settings. Definitely worth a go-see--or two!
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- The Illusionist
- Lieux de tournage
- Konopiste Palace, Benesov, République tchèque(as the Crown Prince's castle)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 16 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 39 868 642 $US
- Week-end de sortie aux États-Unis et au Canada
- 927 956 $US
- 20 août 2006
- Montant brut mondial
- 87 892 388 $US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1