Jason Bourne recherche ses origines de tueur à gages, tandis qu'un officier de la CIA et ses agents tente de le capturer pour un assassinat.Jason Bourne recherche ses origines de tueur à gages, tandis qu'un officier de la CIA et ses agents tente de le capturer pour un assassinat.Jason Bourne recherche ses origines de tueur à gages, tandis qu'un officier de la CIA et ses agents tente de le capturer pour un assassinat.
- Récompensé par 3 Oscars
- 29 victoires et 42 nominations au total
Edgar Ramírez
- Paz
- (as Edgar Ramirez)
Histoire
Le saviez-vous
- AnecdotesThis is the only Bourne film to win an Academy Award. It won three, in all the categories for which it was nominated, while the other Bourne movies weren't even nominated.
- GaffesAs Jason looks over the paper while riding the train near the beginning of the movie, we see the story he is reading. It reads, in part, "His code name was Jason Bourne, but he had many identities, each one seemingly more deadly then the next." This is a case of then/than confusion... it should read "than the next". It should however be noted that the newspaper in question, "The Guardian", used to be notorious in the UK (in the days of manual typesetting) for its spelling mistakes, leading to its nickname of "The Grauniad". It is just conceivable that this is a nod to this reputation.
- Citations
Noah Vosen: [in car, on cell phone] Perhaps we can arrange a meet.
Jason Bourne: Where are you now?
Noah Vosen: I'm sitting in my office.
Jason Bourne: I doubt that.
Noah Vosen: Why would you doubt that?
Jason Bourne: If you were in your office right now we'd be having this conversation face-to-face.
[Bourne hangs up]
- ConnexionsEdited from La Mémoire dans la peau (2002)
Commentaire à la une
"The Bourne Ultimatum" begins recklessly mid-chase and in pulse-pounding fashion explodes from there as Jason Bourne (Matt Damon, absolutely superb) tracks down the masterminds behind the CIA black-ops that turned him into the perfect killer in a final attempt to learn his true identity. A devastatingly icy David Strathairn as the "man behind the curtain" is added to the returning cast of regulars including Joan Allen (excellent) and Julia Stiles (non-existent).
Like the second entry in the series, I wished Paul Greengrass' shaky hand-held camera would go static at least for the few minutes of downtime. However, that being said, it's a perfect way to capture the tense, claustrophobic feel of the intimate hand-to-hand-combat scenes and works equally well in the chase scenes which are mostly on foot and across rooftops with the occasional big car pile-up. Part of the fun of the Bourne series is the constant globe-hopping and manipulation of technology and communications that seem to defy the laws of physics and current capabilities. The Bourne films seem to exist in some sort of gritty hyper-reality that is full of technological-based magic. It makes no sense that everyone seems to be just in the right place at the right time, but I'll be damned if it isn't a blast to watch them get there.
With the absence of the emotive and involving Franka Potente, the writers attempt to create some emotional connection between Damon and Stiles, but she is so blank-faced an actress it never really leads to anything. Still, this can be forgiven, for unlike the "Identity" and the "Supremacy", this "Ultimatum" reveals all and we finally learn the truth about Bourne's past. It's an entertaining and satisfying conclusion to the series, and if they have any good sense, and Damon gets his wish, this will be the perfect end to it.
Like the second entry in the series, I wished Paul Greengrass' shaky hand-held camera would go static at least for the few minutes of downtime. However, that being said, it's a perfect way to capture the tense, claustrophobic feel of the intimate hand-to-hand-combat scenes and works equally well in the chase scenes which are mostly on foot and across rooftops with the occasional big car pile-up. Part of the fun of the Bourne series is the constant globe-hopping and manipulation of technology and communications that seem to defy the laws of physics and current capabilities. The Bourne films seem to exist in some sort of gritty hyper-reality that is full of technological-based magic. It makes no sense that everyone seems to be just in the right place at the right time, but I'll be damned if it isn't a blast to watch them get there.
With the absence of the emotive and involving Franka Potente, the writers attempt to create some emotional connection between Damon and Stiles, but she is so blank-faced an actress it never really leads to anything. Still, this can be forgiven, for unlike the "Identity" and the "Supremacy", this "Ultimatum" reveals all and we finally learn the truth about Bourne's past. It's an entertaining and satisfying conclusion to the series, and if they have any good sense, and Damon gets his wish, this will be the perfect end to it.
- WriterDave
- 6 août 2007
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Bourne: El ultimátum
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 227 471 070 $US
- Week-end de sortie aux États-Unis et au Canada
- 69 283 690 $US
- 5 août 2007
- Montant brut mondial
- 442 824 138 $US
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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