NOTE IMDb
5,1/10
14 k
MA NOTE
Ajouter une intrigue dans votre langueDecades before Father Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in Kenya. Merrin's initial battle with Pazuzu leads to the rediscovery of his faith.Decades before Father Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in Kenya. Merrin's initial battle with Pazuzu leads to the rediscovery of his faith.Decades before Father Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in Kenya. Merrin's initial battle with Pazuzu leads to the rediscovery of his faith.
- Récompenses
- 3 nominations au total
Israel Oyelumade
- Jomo
- (as Israel Aduramo)
Griet van Damme
- Teenage Dutch Girl
- (as Griet Van Damme)
Histoire
Le saviez-vous
- AnecdotesPaul Schrader was given no money for publicity or music production after Morgan Creek decided to release his version. He was also only given $35,000 for visual effects and post-production. Additionally, Morgan Creek chose the release date of May 20th, the weekend Star Wars, épisode III : La Revanche des Sith (2005) came out.
- GaffesIn the scene where the flag is being taken down and folded, "Taps" plays in the background. "Taps" is an American military song, and is not played by the British Army. "Last Post" would have been the appropriate music.
- Citations
Father Lankester Merrin: I believed God let us decide between good and evil. I chose good. Evil happened.
- Crédits fousAt the extreme end of the end credits, after the last production company logo has faded out and the screen is entirely black, a demon voice grumbles "I am perfection".
- ConnexionsEdited from L'Exorciste : Au commencement (2004)
- Bandes originalesStardust Room
Produced by Mitchel J. Greenspan
Composed by Nic. tenBroek (as Nic tenBroek)
Published by Ocean Life Music, (BMI)
Music Consultant Richard DeMatteo
Lyrics & Vocals by Devon Loizeaux
American Music Company Inc.
Commentaire à la une
Exorcist: The Beginning was an ineffective film that contains everything I hate about current genre films: impatient editing and storytelling, lines of dialogue that stop just when some characters are about to actually say something, bombardment of CGI visuals and some seriously unnecessary gore effects that are akin to the movie-makers hitting the audience over the head with a Warner Brothers iron anvil normally reserved for their cartoon characters. What a nice surprise it was to finally see DOMINION on it's (unfortunate) limited run. Here is a movie that doesn't assume the audience is too stupid to actually sit down and take a story in without excessive music video stimuli. Here is a movie who's build-up is effective and will have many working hard to shake the uneasy feeling that, indeed, evil IS everywhere. There were some story elements from "The Beginning" that made no sense whatsoever. In this film - all is presented clearly, thoughtfully and much more unsettling (but it really hits you when the film comes to its climax). There is a scene in "The Beginning" where some crazed hyenas savage a character to shreds. Their appearance was curious and not presented as necessarily crucial to the film other than for one scene. In this film, just one look from them and you know right away they add to the whole atmosphere of the film. They are an ever present danger not only to the surrounding location but the always present evil watching humanity just out of sight and ready to attack when one is most vulnerable and alone. Another sequence featuring Father Merrin and Nazi soldiers is given a very clever, diabolic twist and adds MUCH to the notion of how the Devil deceives and tricks. In the other film, it's a scene where you know only that "this is what torments Father Merrin" - and that's it. Which is how this movie plays against Renny Harlin's "The Beginning" - an easy sell to the masses (it STILL didn't work). "Dominion" is a crafted piece where one single shot holds more story information than a 30 second sequence rife with vulgar, over-the-top digital effects. See this version - especially if believe that The Exocist story is actually more effective today than it EVER was.
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Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 251 495 $US
- Week-end de sortie aux États-Unis et au Canada
- 140 703 $US
- 22 mai 2005
- Montant brut mondial
- 251 495 $US
- Durée1 heure 57 minutes
- Couleur
- Mixage
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By what name was Dominion: Prequel to the Exorcist (2005) officially released in India in English?
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