Ajouter une intrigue dans votre langueA drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.
- Récompenses
- 2 victoires et 1 nomination au total
- Band Member D
- (as Grenaldo Frazier)
- Elvis
- (as Ryan Pelton)
- Stranger Lady
- (as Robin Wright Penn)
Histoire
Le saviez-vous
- AnecdotesAccording to the site Slate, after playing family friendly roles for years, Dakota Fanning decided to her first controversial role as Lewellen in this film. The part of the Elvis fanatic included some very mature scenes, such as the horrifying rape of her character. The reviews at the time noted the public backlash of the role, and as Slate wrote, "Protesters of the film may be genuinely concerned that acting out a rape scene in a film is traumatic to Fanning." Fanning didn't take too well to her critics. She lashed out in a press conference in Los Angeles (via Today), "When it gets to the point of attacking my mother, my agent ... my teacher, who were all on the set that day, that started to make me mad ... They hadn't seen the movie." At the end of the day, the young, but seemingly mature beyond her years starlet felt she was leading audiences to harrowing discussions worth talking about. In an interview with The New York Times, Fanning, at just 12 years old, mused, "There are so many children that this happens to, every second. That's the sad part. If anyone's talking about anything, that's what they should be talking about."
- GaffesThe 45 rpm record that Lewellen's father gave her in the truck (supposedly by Elvis on RCA) is apparently a reissue of an original which did not exist at the time.
- Citations
Lewellen: What's that from?
Buddy: What?
Lewellen: That big ole bruise you got there.
Buddy: Nothin'.
Lewellen: I got one, too.
Buddy: Where?
Lewellen: Right here. My daddy did it.
Buddy: My daddy don't hit me!
Lewellen: Does so.
Buddy: Does not, you liar!
Lewellen: I'm gonna kill my daddy one day.
Buddy: Are not.
Lewellen: Am too! I'll kill your daddy too, if you want.
- Crédits fousThe film has a 2008 copyright date in the credits, despite first being shown in early 2007.
- ConnexionsFeatured in WatchMojo: Top 10 Roles Too Mature for Child Actors (2019)
- Bandes originalesHomage to Harry Partch
Written by Dave Soldier, Richard Lair and The Thai Elephant Orchestra
Courtesy of Mulatta Records
Here are just a few of the clichés to be seen, they are typical of a film set in the mid-late 50's, in a rural southern town: aggressive alcoholic cad of father who's always angry. Parents unmindful of children's well-being. Ramshackle homes in disrepair. Dirty, barefoot children left unattended. Kids buying and/or drinking beer. Over-zealous religious nut-jobs. Abused women who accept mistreatment. Trampy chain-smokers. Perverted pedophiles. Playing in the crick'. Soulful black people in oppression. Granny with a shotgun. Horrible homemade fashions. Blues and soulful music. Family love triangles. Home grown foods. Kids getting "whoopin's". Dangerous critters running amok. Pitiful characters. Creepy characters. Old myths and legends. Mutt gets shot. White plantation home. Corn fields. Sage older black man. Broke down rusted vehicles. A fiery church service... trust Me, I COULD keep going. It is through these devices that we get a real feel of the crude existence of some within our "civilized society" at different places and times.
At least they spared us the usual overworked southern accents, and graphic displays of domestic violence!
Let's face it. Some of these stereotypical clichés are completely necessary for a story of this type. You can't make biscuits without flour (southern pun). Fact is, many of these things were true fixtures at that time. My grandmother and aunts can testify as much.
Fanning's performance is the feature presentation here. It's almost award worthy, almost. Perhaps it could have won, if in a different movie. She is convincing and displays just the right amount of intensity in this serious role. She is bearing the weight of a time-period drama of a sensitive nature, and does so remarkably well for someone of her age and career experience.
Even when Lewellens actions are not wise, we understand that she's still a naive child full of hope and wonder. Lewellen is indeed precocious and independent but she's an innocent and ill-equipped to perceive why others will hurt and disappoint her.
Family support is non-existent. What family she has is threatening and harsh. Family kills her dog, abandons her on a whim, can't provide, can't offer comfort or affection, makes her feel guilt and isolates her from her friends. Her friends and peers aren't very good either, when they can betray her maliciously.
What Lewellen does have is music, a love for Elvis and his songs. Although such things are demonized by her grandmother, Lewellen finds a safe place to express herself within them. Performing Elvis' songs brings joy, a sense of pride, and something for which to dream in an otherwise depressive place.
We want to see Lewellen succeed and have some happiness, the audience cares for this character and her plight. We wish her predicament weren't so bleak and the people in her life weren't so utterly worthless (save one exception).
There was an ominous cloud lingering around the father during the whole movie, it was as if he may lose control at any moment and abuse his daughter. Every scene with the two of them together was uneasy, even though the daughter didn't behave apprehensively.
I thought the sets on this film were pretty good, so sure, they need some cinematic showcasing. There's reportedly some goofs (dealing with cars) but since I'm not an antique car expert, I was never distracted. The editing could have been better tailored, I can't quite pinpoint the specifics that could have been improved to make this film a classic... several production values are just "off" a little bit.
I did not find the snake imagery obtrusive. It conveyed the message of being strangled by sin, depravity, and shame. It represents the differing types of venom that poisonously consume a person... this message was depicted in various other ways throughout the film.
One could easily sift through this film for life lessons and spiritual significance, and not be disappointed. The films ends leaving you unsatisfied, but at least it ends on the appropriate note.
- hi_im_manic
- 28 nov. 2011
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Untitled Dakota Fanning Project
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 750 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 131 961 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 744 $US
- 21 sept. 2008
- Montant brut mondial
- 131 961 $US
- Durée1 heure 38 minutes
- Couleur
- Rapport de forme
- 1.85 : 1