Dans cette comédie, vous allez voyager dans le futur et découvrir un nouveau monde plein de surprises et d'aventures.Dans cette comédie, vous allez voyager dans le futur et découvrir un nouveau monde plein de surprises et d'aventures.Dans cette comédie, vous allez voyager dans le futur et découvrir un nouveau monde plein de surprises et d'aventures.
- Récompenses
- 1 victoire et 10 nominations au total
Daniel Hansen
- Lewis
- (voix)
Wesley Singerman
- Wilbur
- (voix)
Angela Bassett
- Mildred
- (voix)
Jordan Fry
- Lewis
- (voix)
Dara McGarry
- Mrs. Harrington
- (voix)
- …
Tom Kenny
- Mr. Willerstein
- (voix)
Paul Butcher
- Stanley
- (voix)
Michaela Jill Murphy
- Young Franny
- (voix)
- (as Jessie Flower)
Stephen J. Anderson
- Bowler Hat Guy
- (voix)
- (as Stephen John Anderson)
- …
Ethan Sandler
- Doris
- (voix)
- …
Harland Williams
- Carl
- (voix)
Nathan Greno
- Lefty
- (voix)
Kelly Hoover
- Aunt Billie
- (voix)
- (as Kellie M. Hoover)
Histoire
Le saviez-vous
- AnecdotesThe parts of Lewis and Wilbur had to be recast when the original actors' voices broke.
- GaffesWhen the Bowler Hat Guy is trying to pass off the memory scanner as his own, he is seen carrying the memory scanner in the box right side up, and then after the introduction is seen taking the box off the top, but in order to do that, either the box would have had to have been turned upside down, or the bottom would have had to been loose, in which case the memory scanner would have fallen out.
- Citations
Title Card: Around here, however, we don't look backwards for very long. We keep moving forward, opening up new doors and doing new things, because we're curious... and curiosity keeps leading us down new paths. - Walt Disney
- Crédits fousIn the 3D version, most of the closing credits are in 2D; however, the credits for the people who created the 3D version are in 3D.
- Versions alternativesIn the U.S. version, Wilbur tells Lewis that his father, Cornelius, looks like Tom Selleck, who happens to be the voice-actor. In the German version, Wilbur says his father looks like Thomas Gottschalk, who happens to be the voice-actor in this version. In the Latin American version, Wilbur says his father looks like José Luis Rodríguez "El Puma". In the Italian version, Wilbur says his father looks like Giovanni Muciaccia, the Italian Art Attack presenter, who is his voice-actor in this version. In the Spanish version, Wilbur says his father looks like Raphael. In the Japanese version, Wilbur says his father looks like Kazuhiko Inoue .
- ConnexionsEdited into Zenimation: Cityscapes (2020)
- Bandes originalesAnother Believer
Music by Rufus Wainwright and Marius De Vries
Lyrics by Rufus Wainwright
Performed by Rufus Wainwright
Produced by Marius De Vries
Orchestra Arranged by Marius De Vries
Additional Orchestration by Jennifer Hammond
Recorded by James T. Hill, Jason Boshoff, and John Brough
Mixed by Andy Bradfield
Commentaire à la une
Was a little "ify" about taking my 5 and 2 year old daughter's to this movie. Actually was concerned that it may not hold their attention. Based on some reviews, I honestly didn't think I would care for it.
Being a huge fan of Disney's work, but seeing their young target audience erode to the digital-only studios, I was hoping they'd come back to strong story lines.
Well, Meet the Robinsons was a surprise to me. Had a great story line, extremely visually appealing, awesome voicing (I do professional voice work so have a different appreciation for this), and an all-round great movie.
The only negative thing I must say (without spoiling the movie) is that when it came down to the part of the movie where it changes and you see much more of the hat in the future (again, don't worry.. no spoiler in this info) both of my daughters were pretty frightened and jumped to my lap. The visuals and content during this part of the movie really took on a different edge (color/music changes, etc.) As far as making it to frightening, I would hate in retrospect to see it changed to be a little more "small kid friendly". I would say that it might be a much better movie for children over 7 or 8 to see. I have to say again that as an adult, I thought it was really great.
One of the features of this movie I thought was clearly outstanding was the musical composition (and songs) that Danny Elfman (Nightmare, Corpse Bride, Simpsons, and a million other compositions) did. One particular song is such an awesome, up-beat, fun song that I really hope Disney puts a push behind it to give it radio airplay. (I'm also a former radio jock in Dover, Athens, Akron, Cleveland, Denver, Fort Collins, and Madrid-Spain) Certainly Elfman has written some great and memorable music ("What's This? - Nightmare Before Christmas), but I'd have to say the music in Robinsons is some of his finest.
I'd sum this all up in saying that, like the Disney tradition, this is story with great writing, great music, a lesson to be learned, and fun in general. It might be a little too much for the very little kids (even Beauty & The Beast or Aladdin had parts that could be frightening to very little kids though). I get (and hope) that Disney stays on the course they've moved with Robinsons. It's nice to see Disney getting back to their roots for story telling, yet moving forward (Shrek-like) with their animation and modern feel.
On a side-note: Ironically, the new opening cartoon (Mikey, Donald & Goofy build a boat cartoon) was made to feel very old by Disney. Audio was clearly intentionally "warbled" (for old-time 1920's/1930's affect). It was shot in 4x4 ration (not TV's 4x3 or Cinemascope) And drawn images were full of dirt-type flaws (specs that were on their drawings and not on the lens of the camera or projector and they "jumped" throughout the short cartoon). Very tradition cartoon which traces back to the Walt Disney roots. Wondered if it hadn't been placed to really show the contrast of the original Disney and the new Disney.
Being a huge fan of Disney's work, but seeing their young target audience erode to the digital-only studios, I was hoping they'd come back to strong story lines.
Well, Meet the Robinsons was a surprise to me. Had a great story line, extremely visually appealing, awesome voicing (I do professional voice work so have a different appreciation for this), and an all-round great movie.
The only negative thing I must say (without spoiling the movie) is that when it came down to the part of the movie where it changes and you see much more of the hat in the future (again, don't worry.. no spoiler in this info) both of my daughters were pretty frightened and jumped to my lap. The visuals and content during this part of the movie really took on a different edge (color/music changes, etc.) As far as making it to frightening, I would hate in retrospect to see it changed to be a little more "small kid friendly". I would say that it might be a much better movie for children over 7 or 8 to see. I have to say again that as an adult, I thought it was really great.
One of the features of this movie I thought was clearly outstanding was the musical composition (and songs) that Danny Elfman (Nightmare, Corpse Bride, Simpsons, and a million other compositions) did. One particular song is such an awesome, up-beat, fun song that I really hope Disney puts a push behind it to give it radio airplay. (I'm also a former radio jock in Dover, Athens, Akron, Cleveland, Denver, Fort Collins, and Madrid-Spain) Certainly Elfman has written some great and memorable music ("What's This? - Nightmare Before Christmas), but I'd have to say the music in Robinsons is some of his finest.
I'd sum this all up in saying that, like the Disney tradition, this is story with great writing, great music, a lesson to be learned, and fun in general. It might be a little too much for the very little kids (even Beauty & The Beast or Aladdin had parts that could be frightening to very little kids though). I get (and hope) that Disney stays on the course they've moved with Robinsons. It's nice to see Disney getting back to their roots for story telling, yet moving forward (Shrek-like) with their animation and modern feel.
On a side-note: Ironically, the new opening cartoon (Mikey, Donald & Goofy build a boat cartoon) was made to feel very old by Disney. Audio was clearly intentionally "warbled" (for old-time 1920's/1930's affect). It was shot in 4x4 ration (not TV's 4x3 or Cinemascope) And drawn images were full of dirt-type flaws (specs that were on their drawings and not on the lens of the camera or projector and they "jumped" throughout the short cartoon). Very tradition cartoon which traces back to the Walt Disney roots. Wondered if it hadn't been placed to really show the contrast of the original Disney and the new Disney.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La famille Robinson
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 150 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 97 822 171 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 123 781 $US
- 1 avr. 2007
- Montant brut mondial
- 169 333 034 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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Lacune principale
What is the German language plot outline for Bienvenue chez les Robinson (2007)?
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