Un aristocrate français du 19ème siècle, connu pour ses mémoires cinglantes sur la vie en Russie, parcourt le musée de l'Ermitage de Russie et fait la connaissance de personnalités historiqu... Tout lireUn aristocrate français du 19ème siècle, connu pour ses mémoires cinglantes sur la vie en Russie, parcourt le musée de l'Ermitage de Russie et fait la connaissance de personnalités historiques des 200 dernières années.Un aristocrate français du 19ème siècle, connu pour ses mémoires cinglantes sur la vie en Russie, parcourt le musée de l'Ermitage de Russie et fait la connaissance de personnalités historiques des 200 dernières années.
- Récompenses
- 10 victoires et 15 nominations au total
Histoire
Le saviez-vous
- AnecdotesShot in a single take. The first three attempts were cut short by technical difficulties, but the fourth was successful.
- GaffesMany extras look to the camera and they quickly return to a default mark.
- Citations
The Time Traveller: Sir. Sir. A pity you're not here with me. You would understand everything. Look. The sea is all around. And we are destined to sail forever, to live forever.
- ConnexionsEdited into Spisok korabley (2008)
- Bandes originalesMazurka
(from opera "A Life For The Tsar")
Music by Mikhail Glinka
Performed by Mariinsky Theatre Orchestra
Conducted by Valery Gergiev
It would have been enough that the director got extensive access to the Hermitage Museum in Petersburg to show it to us.
It would have been enough to have authentic costumes, choreography, and make-up for several centuries of Russian history. (I was reminded that my husband's grandmother was a young seamstress for rich folks like these, making this extravagant lifestyle possible.)
It would have been enough to have literally a cast of thousands because how else can one really know how those fantastic ballrooms and grand staircases were meant to be used and seen without a full orchestra and gowned and uniformed participants as far as the camera can see?
It would have been enough to come up with a cute gimmick of a time-traveling two-some to glide us through the rooms of the Hermitage to show the tsars, aristocrats, curators, and ordinary Russian tourists who have passed through over the years, with humorous commentary on Russia's changing relationship with Europe over these centuries as shown through the art and architecture of the building while wars and revolutions loomed outside.
But then, it would have been enough that it's all done in a single take over just an hour and a half with luscious cinematography.
There was a slow line to get in the theater so I missed the opening historical background, and I've learned most of my Russian (let alone European) history from novels and movies so I did get a bit lost here and there wandering the corridors of history, but the unseen narrator posits that this is all a dreamscape anyway.
I made a point of seeing this because a fellow cinephile who I frequently bump into at my local arthouse had directly called the distributor asking when it would be playing elsewhere and was told they can't afford to make more prints available so one can only see it at the Manhattan theaters -- so make a point to see it on a movie screen and not just wait for when the History Channel shows a reduced version.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Russian Ark
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 3 048 997 $US
- Week-end de sortie aux États-Unis et au Canada
- 29 022 $US
- 15 déc. 2002
- Montant brut mondial
- 8 691 860 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1