Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.Dans les bidonvilles de Rio, les chemins de deux enfants divergent à mesure que l'un tente de devenir photographe et l'autre un baron de la drogue.
- Nommé pour 4 Oscars
- 75 victoires et 50 nominations au total
Leandro Firmino
- Zé Pequeno
- (as Leandro Firmino da Hora)
Michel Gomes
- Bené Criança
- (as Michel De Souza Gomes)
Kiko Marques
- Cabeção
- (as Maurício Marques)
Histoire
Le saviez-vous
- AnecdotesWhen we hear Buscapé (Alexandre Rodrigues) talking to Marina (Graziella Moretto) about how "he never took a hot bath", that was not scripted. Actually, that was Rodrigues and Moretto talking off camera, during a pause in the shooting, when the boy (who lived on the slums) was telling her about his life.
- GaffesLil' Ze is taken into custody by the police, Rocket runs after the police truck. The Police truck passes by a late - model Chevrolet S10, black, circa 2001. The movie is set in the seventies.
- Crédits fousThe closing credits shows pictures of the main actors, their name, their character's name and pictures of the real life characters (for the ones based on existing people).
- Versions alternativesThe Indian Censor Board nonsensically deleted the visuals of frontal nudity in the motel scene and the dialogue of a woman talking about her sexual experiences for an 'A' (adults) rating.
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
- Bandes originalesAlvorada
Written by Cartola / Carlos Cachaça / Hermínio Bello de Carvalho (as Hermínio B. Carvalho)
Performed by Cartola
Peer Music do Brasil Edições Musicais Ltda
Licensed by EMI Music Ltda
Commentaire à la une
Such an amazing film that deserves the accolades and acclaimed hype it's garnered. One of the best foreign language films there is and one of the best films personally seen recently, after a long time of being on my to see list but taking a while to get round to it due to being so busy and going through a difficult phase.
Perhaps 'City of God' is not for everybody. It is not some audience members' idea of being entertaining, and is pretty unflinching, uncompromising and challenges the viewer. It does, with that being said, a superlative job bringing those qualities to life, and there are others, including myself, who judge films by what they set out to do rather than just wanting to be "entertained". There are many hugely entertaining films, while there are others that are clearly intended to be things other than entertainment and either are deep character studies, deliberate mood pieces and poignant dramas and shouldn't be denounced because of stereotypical views of what a film should be like.
'City of God' is very well made, with some stunning and hard-hitting images, even if the budget is not high or enormous. It's all audaciously shot and edited with a lot of gritty atmosphere and sense of tension. The music fits well and has some haunting moments without being intrusive, while Fernando Meirelles's direction, particularly in the visual style, is superb.
The story is not hard to follow, with lots of provoking thought, tension and emotion, while the action is positively explosive, frighteningly brutal and designed with a real meticulousness. In no way either does it glamorise crime and gives an unflinching view of gangland rivalry, provoking comparisons to Martin Scorsese and 'Goodfellas'.
Alexandre Rodrigues and Leandro Firmino da Hora are fabulous in their roles and carry the film and their compellingly real characters adeptly.
Overall, a masterwork. 10/10 Bethany Cox
Perhaps 'City of God' is not for everybody. It is not some audience members' idea of being entertaining, and is pretty unflinching, uncompromising and challenges the viewer. It does, with that being said, a superlative job bringing those qualities to life, and there are others, including myself, who judge films by what they set out to do rather than just wanting to be "entertained". There are many hugely entertaining films, while there are others that are clearly intended to be things other than entertainment and either are deep character studies, deliberate mood pieces and poignant dramas and shouldn't be denounced because of stereotypical views of what a film should be like.
'City of God' is very well made, with some stunning and hard-hitting images, even if the budget is not high or enormous. It's all audaciously shot and edited with a lot of gritty atmosphere and sense of tension. The music fits well and has some haunting moments without being intrusive, while Fernando Meirelles's direction, particularly in the visual style, is superb.
The story is not hard to follow, with lots of provoking thought, tension and emotion, while the action is positively explosive, frighteningly brutal and designed with a real meticulousness. In no way either does it glamorise crime and gives an unflinching view of gangland rivalry, provoking comparisons to Martin Scorsese and 'Goodfellas'.
Alexandre Rodrigues and Leandro Firmino da Hora are fabulous in their roles and carry the film and their compellingly real characters adeptly.
Overall, a masterwork. 10/10 Bethany Cox
- TheLittleSongbird
- 9 juin 2017
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Ciudad de Dios
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 300 000 R$ (estimé)
- Montant brut aux États-Unis et au Canada
- 7 564 459 $US
- Week-end de sortie aux États-Unis et au Canada
- 88 292 $US
- 19 janv. 2003
- Montant brut mondial
- 30 680 793 $US
- Durée2 heures 10 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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