NOTE IMDb
7,2/10
23 k
MA NOTE
Kenichi et son oncle Shunsaku Ban doivent découvrir le mystère qui se cache derrière la fille-robot Tima.Kenichi et son oncle Shunsaku Ban doivent découvrir le mystère qui se cache derrière la fille-robot Tima.Kenichi et son oncle Shunsaku Ban doivent découvrir le mystère qui se cache derrière la fille-robot Tima.
- Récompenses
- 1 victoire et 4 nominations au total
Toshio Furukawa
- Skunk
- (voix)
Scott Weinger
- Atlas
- (English version)
- (voix)
Yuka Imoto
- Tima
- (voix)
Kei Kobayashi
- Kenichi
- (voix)
Kôki Okada
- Rock
- (voix)
Tarô Ishida
- Duke Red
- (voix)
Kôsei Tomita
- Hige-Oyaji
- (voix)
Norio Wakamoto
- Pero
- (voix)
Takeshi Aono
- Ponkotz
- (voix)
Shun Yashiro
- Notarlin
- (voix)
Shigeru Chiba
- Lamp
- (voix)
Masashi Ebara
- Ham Egg
- (voix)
Takaya Hashi
- Lyon
- (voix)
Norihiro Inoue
- Atlas
- (voix)
Rikako Aikawa
- Fifi
- (voix)
Histoire
Le saviez-vous
- AnecdotesOsamu Tezuka claimed that he received inspiration for his Metropolis manga from seeing the poster for Metropolis (1927), but never actually saw the film.
- GaffesRock's costume disappears in the Throne of Power scene.
- Versions alternativesEnglish subtitled version doesn't subtitle the word "Kuso" at the begining of the film.
Commentaire à la une
In my short life I've developed a taste for a film that challenges me as a viewer and is more than the sum of it's parts. Metropolis is one such movie. While most will only give it credit for being a visual masterpiece, Metropolis is a well - rounded work with strong characters, themes and music. Not only does the character design have a fresh and captivating style, each character has his or hers own unique features. The setting is so rich and vibrant at times and dark and mysterious at others, it could only have been created through animation. The use of old western jazz and borderline ragtime music gives the huge city an earthy feeling, which is reflected in the architecture of the lower levels of the city. The themes are classic science fiction themes. I shy away from calling them derivative or repetitive because they still remain some of the most relevant ideas portrayed in any genre. Katsuhiro Otomo's screenplay is understated, contrasting the near "in your face" visuals. He is one of the most highly regarded writers in the genre, and he shows why here. The chilling ending is a destructive one, but it isn't the apocalyptic disaster some people make it out to be. The use of "Can't stop loving you" by Ray Charles frames the scene so well, and I found it far more moving and touching than the ending of Dr. Strangelove, which it is rightfully compared to. So, to all movie lovers, not just anime lovers, I ask you to go see this work of art and let it absorb you and change you. You will be better for it.
- ThirdEye-1
- 5 mai 2002
- Permalien
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Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 722 932 $US
- Week-end de sortie aux États-Unis et au Canada
- 84 660 $US
- 27 janv. 2002
- Montant brut mondial
- 4 035 369 $US
- Durée1 heure 48 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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