"Un agent du FBI à la retraite avec des dons psychologiques est affecté à la recherche de ""The Tooth Fairy"", un mystérieux tueur en série. Le Dr Hannibal ""Le Cannibale"" Lecter, psychiatr... Tout lire"Un agent du FBI à la retraite avec des dons psychologiques est affecté à la recherche de ""The Tooth Fairy"", un mystérieux tueur en série. Le Dr Hannibal ""Le Cannibale"" Lecter, psychiatre légiste, est emprisonné pour l'aider.""Un agent du FBI à la retraite avec des dons psychologiques est affecté à la recherche de ""The Tooth Fairy"", un mystérieux tueur en série. Le Dr Hannibal ""Le Cannibale"" Lecter, psychiatre légiste, est emprisonné pour l'aider."
- Récompenses
- 4 victoires et 10 nominations au total
Histoire
Le saviez-vous
- AnecdotesSir Anthony Hopkins stated that one of his goals in playing Dr. Hannibal Lecter for a final time was to re-establish that he is an evil serial killer, as Hopkins believed Hannibal had come to be seen too much as a likable anti-hero by audiences.
- Gaffes(at around 37 mins) The movie is set in the 1980s, as a prequel to Le Silence des agneaux (1991), but VHS tapes of films such as Madame Doubtfire (1993) (1993), Retour vers le futur (1985) (1985), and E.T., l'extra-terrestre (1982) (1982) are seen in a drawer as part of the Leeds family VHS collection. Dating the film from the 1980 opening and "a few years later" after that prologue, and the reference to Saturday, February 25 as two months ago puts it in April 1984 or 1989, the latter more likely as the end of the movie leads directly into Le Silence des agneaux (1991); the 80s tapes may be OK for 1989 but one from 1993 is certainly not.
- Citations
Hannibal Lecter: And be grateful. Our scars have the power to remind us that the past was real.
- Crédits fousThanks to the men and women of the Federal Bureau of Investigation
- Bandes originalesOriental Blues
Written by Jack Newlon (as Richard Newlon)
Performed by Tony DeSimone
Courtesy of MCA Records
Under license from Universal Music Enterprises
Manhunter has some things that are done better than in Red Dragon. It is generally grittier, more menacing and more atmospheric and the performances of Will Graham and Jack Crawford are superior. I personally didn't care for Edward Norton, who had the potential to be every bit as dark and haunted as William Peterson, but this was a rather ordinary and phoned-in performance which unusual for a great actor like Norton. Harvey Keitel is another talented actor but doesn't play Jack with anywhere near the same amount of heart as Dennis Farina did and seemed out of place.
Red Dragon on the other hand also does things that are superior to Manhunter. I am actually of the opinion that Manhunter is still a well-made and directed film, but the budget was noticeably bigger in Red Dragon meaning it has a more expansive cinematic feel and a slicker look. It may lack the wonderfully grim look of Silence of the Lambs, but it didn't look that clean to me. Danny Elfman's music score, while not anywhere near among his best, fits very well and is very haunting and energised, much improved over the rather dated and often out of place and intrusive music in Manhunter(my only problem with that film). Dollarhyde's also better developed here(though a little less frightening), giving the character some poignancy while not ever forgetting how much of a monster he is, with the relationship between him and Rena beautifully done and played.
Brett Ratner's direction is surprisingly good here, have never thought of it particularly highly as a director before but he brings suspense and palpable tension to the very engrossing and chillingly atmospheric story without letting the visual style get in the way. Performances are fine apart from Norton and Keitel. Anthony Hopkins reprises his most iconic role as Lecter and has the right amount of creepiness, nuance, sophistication and twisted hamminess without falling into cartoonish caricature. Emily Watson's Rena is superb and very touching, far more memorable than Joan Allen for Manhunter, and Phillip Seymour Hoffmann is amusing. Ralph Fiennes, despite reservations initially about him being too handsome and not imposing enough, is every bit as frightening as Tom Noonan, if not as much as a monster, and gives an emotional unstability that comes over in a way that allows one to sort of sympathise with him.
Other than Norton and Keitel, my only other complaints are the ending and some of the script. Not all of the script is problematic, most of it is tightly structured, makes sense and very respectful to the style of the book's writing, also managing to be dynamic and thought-provoking, not ceasing to be suspenseful or entertaining. The film definitely could have done more with Graham's character, who lacked the colour and dimension that went visibly into Lecter and Dollarhyde, Graham was too dull, too ordinary and too clinical to me here. More of a problem is that it starts a little too heavy in the exposition, some of it being written in a sloppy and over-explanatory way, as well as going for blunt maximum drama and throwing subtlety out the window. With the ending, the climax is rushed and ridiculously over-the-top and the end twist to me felt very tacked on and reeked of studio executive interference.
In summary, Red Dragon is a more than worthy remake to Manhunter and is a very good film in its own right. 8/10 Bethany Cox
- TheLittleSongbird
- 6 juin 2015
- Permalien
Meilleurs choix
- How long is Red Dragon?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Dragón rojo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 78 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 93 149 898 $US
- Week-end de sortie aux États-Unis et au Canada
- 36 540 945 $US
- 6 oct. 2002
- Montant brut mondial
- 209 196 298 $US
- Durée2 heures 4 minutes
- Mixage
- Rapport de forme
- 2.39 : 1