NOTE IMDb
7,2/10
21 k
MA NOTE
Ajouter une intrigue dans votre langueThree old high school friends meet in a Michigan motel room to dissect painful memories from their past.Three old high school friends meet in a Michigan motel room to dissect painful memories from their past.Three old high school friends meet in a Michigan motel room to dissect painful memories from their past.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Histoire
Le saviez-vous
- AnecdotesThe set is not an actual motel room, as many viewers assumed, but carefully constructed (and designed by Stephen Beatrice) on a sound stage and including many remarkable details, such as the curtain being cut around the air conditioner, and stains on the wall that betray missing pictures.
- GaffesVince closes and hides the blue box containing all his cocaine paraphernalia when Amy knocks on the door. However when she then calls the police, in his mad rush to exit, he once again closes and puts the blue box in his bag.
- Crédits fousThe end credits move across the screen in the motions of tape inside a playing cassette.
- ConnexionsFeatured in WatchMojo: Top 10 Overlooked Gems from Well-Known Directors (2015)
- Bandes originalesI'm Sorry
Performed by Brenda Lee
Written by Ronnie Self and Dub Allbritten
Published by Universal Champion Music
Courtesy of MCA Records
Under license from Universal Music Enterprises
[Played during end credits]
Commentaire à la une
Shot on DV in one night at 'Tape' makes the viewer feel like a voyeur peeking into a motel room. It's set in a motel room where two friends reunite after 10 years (ironically Hawke and Leonard also appear together on screen more than a decade after their last film 'Dead Poet's Society') and have a private conversation that turns from the common catching up to unravelling secrets.
The entire movie is pretty much a conversation but it is a layered film with layered characters. The writing is brilliant. The editing it very tight. As the events unfold with clever twists, it becomes an intense human drama and a thrilling experience for the audience. While we are provided with sufficient background information on Amy and Jon, Vince remains somewhat of a mystery. His intentions remain for the viewer to interpret as there are hints that point in different directions. The hand-held camera mostly acts as hidden camera that lures the viewer to look into a private moment of these three character's lives. The swirling camera actually acts like a person itself, who's just sitting there while no one is aware of its presence. Once Linklater builds the tension, he sustains it and keeps the viewer engaged right through the end.
Being a conversational piece, it relies strongly on acting. The performances are solid. Ethan Hawke does a fine job of the (drug-induced) hyper but manipulative Vince. His character may be a bit ambiguous but he plays the part to the T. Robert Sean Leonard is adequate but in some places he seems a little lost. However, after Uma Thurman's entry, he is remarkable. Uma Thurman looks sensational with simple makeup. This is one actress who can look very plain when needed and supersexy when required. Her acting is excellent as she puts the pieces together while cleverly blindfolding the audience allowing them to figure out what happened.
While some people may feel confused at the end, it is very thought-provoking movie as one would try to figure out the puzzle. On the whole, 'Tape' takes us into a different territory that only a few Hollywood films have done. It has some great performances, good direction, brilliant writing and will very likely keep you glued to the screen.
The entire movie is pretty much a conversation but it is a layered film with layered characters. The writing is brilliant. The editing it very tight. As the events unfold with clever twists, it becomes an intense human drama and a thrilling experience for the audience. While we are provided with sufficient background information on Amy and Jon, Vince remains somewhat of a mystery. His intentions remain for the viewer to interpret as there are hints that point in different directions. The hand-held camera mostly acts as hidden camera that lures the viewer to look into a private moment of these three character's lives. The swirling camera actually acts like a person itself, who's just sitting there while no one is aware of its presence. Once Linklater builds the tension, he sustains it and keeps the viewer engaged right through the end.
Being a conversational piece, it relies strongly on acting. The performances are solid. Ethan Hawke does a fine job of the (drug-induced) hyper but manipulative Vince. His character may be a bit ambiguous but he plays the part to the T. Robert Sean Leonard is adequate but in some places he seems a little lost. However, after Uma Thurman's entry, he is remarkable. Uma Thurman looks sensational with simple makeup. This is one actress who can look very plain when needed and supersexy when required. Her acting is excellent as she puts the pieces together while cleverly blindfolding the audience allowing them to figure out what happened.
While some people may feel confused at the end, it is very thought-provoking movie as one would try to figure out the puzzle. On the whole, 'Tape' takes us into a different territory that only a few Hollywood films have done. It has some great performances, good direction, brilliant writing and will very likely keep you glued to the screen.
- Chrysanthepop
- 3 mai 2008
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- How long is Tape?Alimenté par Alexa
Détails
Box-office
- Budget
- 100 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 490 475 $US
- Week-end de sortie aux États-Unis et au Canada
- 28 424 $US
- 4 nov. 2001
- Montant brut mondial
- 515 900 $US
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