Ajouter une intrigue dans votre langueA grown-up woman who kept her childish instincts and behavior starts working as the nanny of an 8-year-old girl who actually acts like an adult. But everything ends right-side up.A grown-up woman who kept her childish instincts and behavior starts working as the nanny of an 8-year-old girl who actually acts like an adult. But everything ends right-side up.A grown-up woman who kept her childish instincts and behavior starts working as the nanny of an 8-year-old girl who actually acts like an adult. But everything ends right-side up.
- Récompenses
- 2 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe denim dress Molly wears when picking Ray up from school for the first time is a vintage dress from the seventies that belonged to the costumer designer's sister Kate when she was twelve and had been hand-customized by a babysitter. The name "Kate" was bedazzled on the back of the dress, but Brittany Murphy opted to wear a backpack to cover it up rather than ruin the history of the dress by removing the name. The name can still be seen briefly a few scenes later.
- GaffesAt the very end of the movie, Neal the musician is playing his guitar and singing, while the girls are dancing on the stage. Then we see him at the side of the stage, clapping, although we still hear him playing and singing.
- ConnexionsFeatures Ready.. Set.. Zoom! (1955)
- Bandes originalesCharmed Life
Written by Keith Brown and Steve Mandile
Performed by Leigh Nash of Sixpence None the Richer
Produced by Keith Brown and Steve Mandile
Leigh Nash appears courtesy of Squint Entertainment
Commentaire à la une
This just goes to show you that you shouldn't go into movies with preconceptions, because I went in expecting (hoping, even) to hate this movie, and did for a while, but somewhere along the way it started working on me, and by the end I was practically eating out of its hand.
Molly Gunn (Brittany Murphy) is the rich, immature, hard-partying daughter of a deceased rock star, but when she loses all her money and belongings, she has to take a job as the nanny to a rich little girl named Ray (Dakota Fanning). Ray is very young, but acts like an uptight 45 year-old woman, because she's been ignored by her cold, socialite mother (a "Melrose Place"-ish Heather Locklear).
Both of these characters, but especially little Ray, are entirely fantasy creations. I don't care how self-sufficient she's had to be, no single-digit kid is going to act like this all the time and speak this kind of dialogue.
What makes the movie work is the actors. Murphy is a very likeable actress and with her mixture of raspy sexuality and innocent flakiness, I can't think of anyone who would have been better playing this spoiled rock princess.
And as Ray, Dakota Fanning once again shows that she is one of the absolute best child actors out there. This is the third time in a row she's been the best part of the movie she's in (the other two being the irritating "I Am Sam" and the downright hideous "Trapped"). Once her character begins to lighten up in the second half of the film, her performance really takes off.
So the story is very predictable, the dialogue often weak, and I hated the character of Molly's on-again, off-again "rock star" boyfriend (who inexplicably makes it big with a horrifyingly bad song about Egyptian cotton), but the characters played by Murphy and Fanning are a pleasure to spend time with, and that's what sold it to me.
Molly Gunn (Brittany Murphy) is the rich, immature, hard-partying daughter of a deceased rock star, but when she loses all her money and belongings, she has to take a job as the nanny to a rich little girl named Ray (Dakota Fanning). Ray is very young, but acts like an uptight 45 year-old woman, because she's been ignored by her cold, socialite mother (a "Melrose Place"-ish Heather Locklear).
Both of these characters, but especially little Ray, are entirely fantasy creations. I don't care how self-sufficient she's had to be, no single-digit kid is going to act like this all the time and speak this kind of dialogue.
What makes the movie work is the actors. Murphy is a very likeable actress and with her mixture of raspy sexuality and innocent flakiness, I can't think of anyone who would have been better playing this spoiled rock princess.
And as Ray, Dakota Fanning once again shows that she is one of the absolute best child actors out there. This is the third time in a row she's been the best part of the movie she's in (the other two being the irritating "I Am Sam" and the downright hideous "Trapped"). Once her character begins to lighten up in the second half of the film, her performance really takes off.
So the story is very predictable, the dialogue often weak, and I hated the character of Molly's on-again, off-again "rock star" boyfriend (who inexplicably makes it big with a horrifyingly bad song about Egyptian cotton), but the characters played by Murphy and Fanning are a pleasure to spend time with, and that's what sold it to me.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Petites princesses
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 37 182 494 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 277 367 $US
- 17 août 2003
- Montant brut mondial
- 44 617 342 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the French language plot outline for Filles de bonne famille (2003)?
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