Un jeune homme essaie de séduire son professeur de piano masochiste.Un jeune homme essaie de séduire son professeur de piano masochiste.Un jeune homme essaie de séduire son professeur de piano masochiste.
- Nomination aux 1 BAFTA Award
- 18 victoires et 23 nominations au total
Histoire
Le saviez-vous
- AnecdotesIsabelle Huppert really played the piano in the film. She had studied piano for 12 years. As preparation for her role as a piano teacher, she resumed practicing a year before the film was started.
- GaffesWhen Walter starts his piano audition; in the background, there are various teachers sitting in certain chairs. However in the following shot which is a medium-long shot of Kohut while Walter is performing; one of the female teachers is sitting in a different chair and a male teacher that was closest to Kohut is no longer sitting there but his belongings are on the chair. Then in the following shot after that, after Walter finishes his audition; the missing male teacher is back in his seat.
- Citations
Erika Kohut: After all, love is built on banal things.
- Versions alternativesThe R-rated edition from Kino makes a number of changes and omissions, removing the shots of the hardcore peep booth footage viewed by Huppert's character in the mall, as well as optically pixellating pornographic images on magazine covers in the sex shop. In addition, this version completely removes the following two sequences: -Huppert's cutting sequence in the bathtub -Magimel taking Huppert to the ground and humping her at the hockey rink. In the latter case, the film awkwardly fades out and in again in quick succession, to elide the missing footage.
- ConnexionsFeatured in The 2003 IFP Independent Spirit Awards (2003)
- Bandes originalesPiano Sonata in A Major, D.959
Franz Schubert
Commentaire à la une
To be honest I had to go have a stiff drink after this film; I felt drained and my shoulders were knotted. I also had to talk the whole thing out with the friend I saw it with for a good half hour. Whatever else this movie is, it's not dull - you have to have respect for anything that produces such a visceral reaction, even if you couldn't claim to have 'enjoyed' the experience. (Anyone else I've talked to who's seen it has responded in much the same way.)
The reason the film is so powerful is not simply because it deals with unpalatable subject-matter like sado-masochism and violently dysfunctional relationships - that on its own would leave no defence against a charge of exploitation. It packs a punch because whatever her deeply ingrained character flaws, however reprehensible her behaviour (and at one point that's VERY), the piano teacher Erika always retains your sympathy - you never forget the type of influences which might have made her what she is, while scenes as subtle as the one where she walks down a street of shoppers, being casually bumped into without apology, remind you of her utter isolation. Isabelle Huppert's performance is as brilliant as it is uncomfortable and I can't even imagine how she might have wound down after a day's filming.
Appalling, compelling, horribly funny at times, but ultimately deeply despairing look at how people damage each other. View with caution.
The reason the film is so powerful is not simply because it deals with unpalatable subject-matter like sado-masochism and violently dysfunctional relationships - that on its own would leave no defence against a charge of exploitation. It packs a punch because whatever her deeply ingrained character flaws, however reprehensible her behaviour (and at one point that's VERY), the piano teacher Erika always retains your sympathy - you never forget the type of influences which might have made her what she is, while scenes as subtle as the one where she walks down a street of shoppers, being casually bumped into without apology, remind you of her utter isolation. Isabelle Huppert's performance is as brilliant as it is uncomfortable and I can't even imagine how she might have wound down after a day's filming.
Appalling, compelling, horribly funny at times, but ultimately deeply despairing look at how people damage each other. View with caution.
- Wallace_the_Windows
- 17 janv. 2002
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Détails
Box-office
- Budget
- 70 000 000 ATS (estimé)
- Montant brut aux États-Unis et au Canada
- 1 012 069 $US
- Week-end de sortie aux États-Unis et au Canada
- 29 671 $US
- 31 mars 2002
- Montant brut mondial
- 6 766 708 $US
- Durée2 heures 11 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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