Ajouter une intrigue dans votre langueContestants are chosen based on their ability to arrange 4 answers to a question in the correct order the fastest. They then have 15 multiple-choice questions correctly to win increasing amo... Tout lireContestants are chosen based on their ability to arrange 4 answers to a question in the correct order the fastest. They then have 15 multiple-choice questions correctly to win increasing amounts of money, the largest is $1,000,000.Contestants are chosen based on their ability to arrange 4 answers to a question in the correct order the fastest. They then have 15 multiple-choice questions correctly to win increasing amounts of money, the largest is $1,000,000.
- Récompenses
- 20 victoires et 11 nominations au total
Histoire
Le saviez-vous
- AnecdotesJohn Carpenter, the first million-dollar winner, got all the way to the final question without using any lifelines. The question was, "Who was the only U.S. President to appear on 'Rowan and Martin's Laugh-In'?" When Regis Philbin asked him the question, John decided to call his father, Tom, using the "phone-a-friend" lifeline. Instead of asking his father for help, he told him "Um...I don't really need your help. I just wanted to let you know that I'm going to win the million dollars."
- Citations
Regis Philbin: [to every contestant] Is that your final answer?
- Crédits fousThe show originally aired on ABC. When an episode ended on there, Regis would typically make a remark about what show was going to be on there next (for example, Dharma and Greg) right before the credits ended. Strangely, these are NOT edited out in Game Show Network airings!
- ConnexionsEdited into Girls5eva: Pilot (2021)
THE SHOW'S APPEAL and popularity were no haphazard case of dumb luck. It is obvious that careful planning and calculation went into the program's format, content and overall appearance of this production. No element was overlooked.
FIRST OF ALL, we see the framing of the appearance on the TV screens done up on a grand scale. Rather than having contestants appearing side by side with the MC/Quizmaster, the competitors are put into a sort of 'Roman Coliseum' arena of variable and sweeping beams of concentrated lighting. Much in the same manner of the Gladiatorial combatants, the challenger meets his foe (Quizmaster) face to face.
IN ADDITION TO this careful, micro-management of the lighting, we have both the obvious and subtle use of computer controlled recorded music. There is both incidental musical queues and the constant deployment of background mood manipulating instrumental and vocal soundtrack. Mood and "excitement" were very closely manipulated in this manner.
THE WORD THAT we are looking for is "Subliminal"; as the soundtrack quietly added the element of the dramatic and elevated our anticipation of excitement in this way.
EMPLOYMENT OF THE direction of the show rendered its overall running time and the highly dramatic pacing of the proceedings is done up to the maximum. Use of friendly chit-chat (interviews) with guests and timing of segments with stopwatch precision allows the padding out of the show to a full hour; where all ceremonies could probably be said and done within the confines of the 30 minute show limit.
CAPPING OFF THE totality of this late 20th & early 21st Century mega-hit was the ascent of Regis Philbin to the Throne of Ruling Potentate and overseer of all proceedings of the day. The highly durable Mr. Philbin was the perfect man for this position. Witty, energetic and always in control, he also possessed a genuine liking of the people who came to compete.
FOR SOME MONTHS after its initial show hit the airwaves, WHO WANTS TO BE A MILLIONAIRE was number one with the public. It was the topic of discussion around the old water cooler at many a break time.
BUT THEN, AS it seems much like all other "sensations" of the small screen, the novelty wore off. But this original, prime-time series ran from 1999-2002, or a healthy and respectable three seasons.
IT WAS FOLLOWED by the syndicated half hour version that went from 2003 until the present.
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