Violet Sanford, auteure-compositrice-interprète en herbe, après avoir trouvé un emploi dans un bar géré par des femmes de New York qui taquine ses clients masculins, sort de sa coquille.Violet Sanford, auteure-compositrice-interprète en herbe, après avoir trouvé un emploi dans un bar géré par des femmes de New York qui taquine ses clients masculins, sort de sa coquille.Violet Sanford, auteure-compositrice-interprète en herbe, après avoir trouvé un emploi dans un bar géré par des femmes de New York qui taquine ses clients masculins, sort de sa coquille.
- Récompenses
- 4 victoires et 8 nominations au total
Histoire
Le saviez-vous
- AnecdotesLeAnn Rimes did all of the singing for Piper Perabo. When the two are singing on the bar, Rimes is essentially performing a duet with herself.
- GaffesPiedmont is in South Dakota not North Dakota.
- Citations
Lil: I'm married to that bar. Hell, I'd, uh, I'd sleep there, if I had the guts to walk around barefoot. But that's me, you know. I'm the original coyote. Just a small town gal trying to make it in the big bad city.
Violet: Small town gal?
Lil: Piedmont, North Dakota. You ever tell anyone that, I'll kill ya.
- Versions alternativesUnrated extended cut restores scenes (ca. 6 minutes) that were deemed "unsuitable" for the American market and threatened the desired PG-13 rating. Added back was additional/extended footage in virtually every dance scene, a shopping scene with Cammie and Violet and a sex scene with Violet and Kevin.
- Bandes originalesFly (Without Supercat)
Written by Charles Stan Frazier (as Charles Frazier), Matthew Murphy Karges (as Matthew Karges),
Mark McGrath, Rodney Sheppard and McG (as Joseph "McG" Nichol)
Performed by Sugar Ray
Produced by David Kahne (uncredited)
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
It was much to my surprise that Kevin Smith actually did a rewrite of the film's script at one point. I would imagine if Smith's version was made into the final film that it would be less about the girl's bodies and more about their problems. Instead of so many overhead shots of women dancing on one another, soaked in water, comparing wet t-shirts, I'm sure there would've been more sincere dialog between Violet and her friends. Maybe we would've gotten to know them better. It's all one big "maybe." The film centers around Violet (Perabo), an aspiring songwriter trying to make it in the complicated and relentless world of music. She tries to get her demo tape heard, but is always met with reps that blow her off. Violet leaves home and goes to New York to try her look, but realizing she needs to make end's meet, she goes to work at a bar called "Coyote Ugly" where she will entertain customers by seductively dancing on the bar countertop while pouring drinks and showering her and her fellow employees with water. That's the extent of it.
In the meantime, Violet dates a shady guy who she had mistaken for a record exec (Garcia). Let me ask Violet, do you think it's a good idea to date a guy who just tried to pass himself off as a guy who could get you a record deal and doesn't discuss any of his past? Does he seem like the dream guy mothers would want their daughters to date, and could have a good ol' day out with the father? I neglected to mention that the club is run by Lil (Bello). Lil, full name Liliana Lovell, actually runs the real-life Coyote Ugly in New York. Maria Bello was excellent in The Cooler, and does more sure-fire work in this picture. She is still as hilarious as ever, and plays a very strict, yet laidback bartender.
Coyote Ugly, even in possession of a decent storyline, is ruined by its own immaturity. There are too many overhead shots of women on the bar countertop that go nowhere and aren't arousing or entertaining at all. I appreciate John Goodman's role as Violet's protective and caring dad, but the scenes with him are far to spread out and far too short to fully enjoy. I imagine if Kevin Smith was responsible for writing the entire screenplay maybe the movie would've been more about the daddy/daughter relationship rather than the women.
The story isn't gripping, but it works for a while. Until the bar comes into play. Then it's down to twelve year olds controlling the camera. Piper Perabo is gorgeous, and is one of the most underrated actresses in Hollywood today in terms of looks and acting skills. She still hasn't had that "breakout" role that has taken her career to new heights. Surprisingly, as juvenile as this picture can be, this really didn't jump-start any future projects for her. Nor anyone else in this film.
Starring: Piper Perabo, Adam Garcia, Maria Bello, and John Goodman. Directed by: David McNally.
- StevePulaski
- 27 juin 2011
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Détails
Box-office
- Budget
- 45 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 60 786 269 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 319 282 $US
- 6 août 2000
- Montant brut mondial
- 113 916 474 $US
- Durée1 heure 40 minutes
- Mixage
- Rapport de forme
- 2.39 : 1