NOTE IMDb
6,1/10
52 k
MA NOTE
Un inspecteur et un expert en incendies doivent arrêter deux meurtriers qui filment leurs crimes afin de devenir la coqueluche des médias.Un inspecteur et un expert en incendies doivent arrêter deux meurtriers qui filment leurs crimes afin de devenir la coqueluche des médias.Un inspecteur et un expert en incendies doivent arrêter deux meurtriers qui filment leurs crimes afin de devenir la coqueluche des médias.
- Récompenses
- 1 nomination au total
Histoire
Le saviez-vous
- AnecdotesCharlize Theron appeared for free, as a "thank you" to John Herzfeld for giving her the breakthrough role in 2 jours à Los Angeles (1996).
- GaffesWhen Jordy first saw Daphne she had her hair down and was wearing a collared blouse, but when he gave the description she was drawn with a ponytail with a blue holder, and straps on bare shoulders. When we next see Daphne she is wearing exactly what she was in the drawing, even though no one had yet seen her in that outfit.
- Citations
Emil Slovak: I love America. No one is responsible for what they do.
- Crédits fousA film by Oleg Rasgul is superimposed over the final clip of footage from Oleg's camera near the end.
- Versions alternativesInfiniFilm DVD includes deleted scenes with commentary: Emil forces Oleg to carry their baggage to the apartment; Jordy is visited by an annoying arsonist at his office; Emil helps a blind woman cross the street; extended, uncut scene outside the apartment fire set up for Jordy where the annoying arsonist returns; Jordy chases half-naked Oleg from a hotel across Times Square into a movie theater showing 2 Days in the Valley (1996) and mistakes on-screen gunfire for actual gunfire; extended scene of Emil in prison, explaining why he helped the blind woman.
- Bandes originalesLa Guitaristic House Organisation
Written by Jean-Philippe Freu, Patrice Carrie and Jean-Louis Palumbo
Performed by Rinôçérôse
Courtesy of V2 Records
Commentaire à la une
This movie took a severe beating in the press and most reviews, so I wasn't expecting much when I went to see it. However, I was pleasantly surprised, and reassured that my distrust of what the newspaper reviewers think is not misplaced.
This movie has a cast that includes the supremely talented Robert de Niro, Kelsey Grammar, and Edward Burns. It has some excellent writing and some top-notch acting performances. But its real accomplishment is how it makes you think.
The increasing relationship between crime and the media is not linear, and the movie does tend to oversimplify at times. In many respects, it suffers horribly from being predictable, although there were instances where it strayed sharply from the "rules" of formulaic movies. (Saying any more on that score would give away important aspects of the plot, so I'll refrain from elaborating.) Furthermore, in true Hollywood tradition, the main villains are dumb, completely amoral, and oh, did I mention foreign? The idea might have been to give an outsider perspective on the abuse of American culture, but that angle ultimately just plays into outdated audience prejudices against people who speak with an Eastern European accent.
Too, the movie has very graphic violence - but not as bad as I'd expected, and not as bad as what is shown in many other movies. Through creative camera angles, many of the bloodiest scenes are only obscurely hinted at, leaving the audience to fill in the pieces.
Not surprisingly, many entertainment reviewers disliked the movie, because it has the effect of exposing some of the more negative effects of the media. "15 Minutes" does not claim that the media causes violence; rather, it explains that the interplay between the two is ingrained in American culture. This movie may not be saying anything original, but it is sufficiently entertaining and thought-provoking to make it worth seeing.
This movie has a cast that includes the supremely talented Robert de Niro, Kelsey Grammar, and Edward Burns. It has some excellent writing and some top-notch acting performances. But its real accomplishment is how it makes you think.
The increasing relationship between crime and the media is not linear, and the movie does tend to oversimplify at times. In many respects, it suffers horribly from being predictable, although there were instances where it strayed sharply from the "rules" of formulaic movies. (Saying any more on that score would give away important aspects of the plot, so I'll refrain from elaborating.) Furthermore, in true Hollywood tradition, the main villains are dumb, completely amoral, and oh, did I mention foreign? The idea might have been to give an outsider perspective on the abuse of American culture, but that angle ultimately just plays into outdated audience prejudices against people who speak with an Eastern European accent.
Too, the movie has very graphic violence - but not as bad as I'd expected, and not as bad as what is shown in many other movies. Through creative camera angles, many of the bloodiest scenes are only obscurely hinted at, leaving the audience to fill in the pieces.
Not surprisingly, many entertainment reviewers disliked the movie, because it has the effect of exposing some of the more negative effects of the media. "15 Minutes" does not claim that the media causes violence; rather, it explains that the interplay between the two is ingrained in American culture. This movie may not be saying anything original, but it is sufficiently entertaining and thought-provoking to make it worth seeing.
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- How long is 15 Minutes?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- 15 Minutes
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 24 403 552 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 523 154 $US
- 11 mars 2001
- Montant brut mondial
- 56 359 980 $US
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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