Director Takeshi Miike takes a break from his usual trademark ultra-violent comic book style action to bring us this slow paced, yet interesting drama, portraying an ex-Yakuza hit-man exiled to Taiwan for reasons unknown. The rain throughout the movie not only sets the mood but also symbolises the monotony of normal, everyday life felt by the protagonist as a contrast to his previous life as a Yakuza. Coming to terms with his new life, he does small time hits for a local gang and manages to maintain some stability and a sense of purpose in the otherwise meaningless existence of a hit-man. However, his world is turned upside down when a woman he doesn't remember leaves him with a child who is supposedly his. As he goes about his business of contract kills, his newly acquired 'son' follows him with fascination, observing and mentally clinging onto his alleged father in a cold, lonely and rainy city. Things get even more twisted when he befriends a prostitute and here starts the mingling of this unlikely trio, a subtle touch, typical of the twisted world of Miike. Overall, a heart warming yet poignant drama depicting the harshness of life, comparable to Luc Besson's Leon or Takeshi Kitano's Kikujiro no natsu.