Potins mondains & amnésies partielles

Titre original : Town & Country

NOTE IMDb

4,5/10

5,3 k

MA NOTE

Home Video Trailer from New Line Home Entertainment

Lire trailer2:29

2 Videos

23 photos

Comedy Romance

Ajouter une intrigue dans votre langueTwo loving middle aged couples get caught in a series of marital misadventures over reasons of fidelity.Two loving middle aged couples get caught in a series of marital misadventures over reasons of fidelity.Two loving middle aged couples get caught in a series of marital misadventures over reasons of fidelity.

Réalisation
- Peter Chelsom
Scénario
- Michael Laughlin
- Buck Henry
Casting principal

Voir les informations de production sur IMDbPro

NOTE IMDb

4,5/10

5,3 k

MA NOTE

Réalisation
- Peter Chelsom
Scénario
- Michael Laughlin
- Buck Henry
Casting principal

Voir les informations de production sur IMDbPro

Récompenses
- 1 victoire et 5 nominations au total

Anecdotes
Over forty million dollars had been spent on actor and writer salaries even before the cameras began rolling.

Gaffes
In the frontal shot of the Claybourne's house while everyone is in bed, there are no tire tracks in the snow. But when Porter sneaks out of the house a while later, there are fresh tire tracks from his SUV already leading away from the house.

Citations
Porter: I understand that you were an intimate of Hemingway's.
Eugenie's Father: Intimate? Is that some kind of homo thing?

Connexions
Featured in Siskel & Ebert & the Movies: The Mummy Returns/Time and Tide/Town & Country/With a Friend Like Harry... (2001)

Bandes originales
Minor Swing
Music by Django Reinhardt and Stéphane Grappelli
Performed by Django Reinhardt
Courtesy of Blue Note Records, a division of Capitol Records, Inc.
Under license from EMI-Capitol Music Special Markets

Avis des utilisateurs99

Commenter

Commentaire à la une

Beatty, DeLuca, Keaton, Hawn aboard train wreck; 87 careers dead

You have to wonder what combination of roofies and blackmail

New Line's former kingpin Michael DeLuca used to lure Warren

Beatty into this grotesque travesty of a Philip Barry comedy. TOWN

& COUNTRY is one of those rare movies that preoccupy you for

their entire running time with questions bearing in no way on the

story onscreen. Questions like: How did this get greenlit? Why

would someone send a comedy into production with no script?

Why would someone let a comedy finish production with no script?

Did these very gifted people (there are good, hard-working, clean

and industrious performances from Beatty, Diane Keaton, Goldie

Hawn, Jenna Elfman and Nastassja Kinski) think this was funny

when they read it? When they were shooting it? Did the crew just

kind of stand there in stony silence?

Considering the combined ages of the cast, and the movie's

splashy failure in an era where teen mediocrities rule the earth,

and the movie's damage to the career of its director, Peter

Chelsom, a talented man who's not to blame, the whole thing

provokes, not bitchy snickers, but a sigh of profound sadness.