Patrick Bateman est un riche dirigeant de banque d'investissement à New York. Il tente de cacher son égo psychopathe de ses collègues et de ses amis alors qu'il s'adonne à des fantasmes hédo... Tout lirePatrick Bateman est un riche dirigeant de banque d'investissement à New York. Il tente de cacher son égo psychopathe de ses collègues et de ses amis alors qu'il s'adonne à des fantasmes hédonistes violents.Patrick Bateman est un riche dirigeant de banque d'investissement à New York. Il tente de cacher son égo psychopathe de ses collègues et de ses amis alors qu'il s'adonne à des fantasmes hédonistes violents.
- Récompenses
- 7 victoires et 11 nominations au total
Histoire
Le saviez-vous
- AnecdotesLooking for a way to create the character of Patrick Bateman, Christian Bale stumbled onto a Tom Cruise appearance on the Late Show with David Letterman (1993). According to co-writer and director Mary Harron, Bale saw in Cruise "this very intense friendliness with nothing behind the eyes," and Bale subsequently based the character of Bateman on that. Interestingly, Tom Cruise is actually featured in the novel. He lives in the same apartment complex as Bateman, who meets him in an elevator and gets the name of Cocktail (1988) wrong, calling it "Bartender."
- Gaffes(at around 1h 21 mins) During Patrick's killing spree towards the end of the movie, when he is running between the two nearly-identical buildings, a Canadian flag is intermittently visible flapping out from behind the building on the left, revealing that this scene was shot in the Toronto-Dominion Plaza, not in New York.
- Citations
[Recurring line]
Patrick Bateman: I have to return some videotapes.
- Crédits fousThe opening credits are accompanied by what appear to be drops of blood, but these become portions of sauce.
- Versions alternativesFor the US theatrical release, director Mary Harron had to edit the following two scenes (which are available on the unrated edition) in order to receive an R-rating from the MPAA:
- The word "asshole" in the line, "Christy, get down on your knees so Sabrina can see your asshole" was changed to just "ass".
- The threesome during the same scene was trimmed several seconds.
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Beach/Snow Day/Holy Smoke (2000)
- Bandes originalesTrue Faith
Written by Peter Hook, Stephen Hague, Gillian Gilbert, Bernard Sumner & Stephen Morris
Performed by New Order
Courtesy of Warner Music U.K. Ltd.
By Arrangement with Warner Special Products, Universal Music Publishing and Warner/Chappell Music,
Inc.
Commentaire à la une
Without a doubt the most underrated movie of the past decade, "American Psycho" is a piece of American cinema that shouldn't be missed by anyone, regardless if they do not like the violence (which does have its reasons).
Christian Bale gives a flawless performance as the troubled, deep down wannabe Yuppie who has psychotic, violent impulses. This is true acting here, folks. Not phoned in Tom Crooze acting. Some people object to Patrick Bateman narrating the movie [always a weak sign in a movie] and not letting us figure his motives out on our own, but if you watch closely, Bale shows us Bateman's vulnerablity through every minute of every day of his life. The movie is at times hysterical, as his character uses dominant Alpha Monkey behavior around the opposite sex. But again, it's all for good reason.
If not for Bale's performance, see it for the knife twisting satire of the '80's -- from the clothes, to the hairdos, to the music [I'll never be able to hear Phil Collins in the same way again!] The production value is rich in '80's nostalgia from the "Black and White" set designs to the enormous cellphones [how could we forget those?].
This is a movie that major studios are too afraid to touch. This is film making. Remember film making? When films took you on a ride in someone's life and you would walk away with a piece of their mind? American Psycho doesn't have any real morals or answers, but it shows the deep psychological insecurities some men suffer everyday. Oh yeah, and it was directed by a woman, so all you feminists shut up!
Christian Bale gives a flawless performance as the troubled, deep down wannabe Yuppie who has psychotic, violent impulses. This is true acting here, folks. Not phoned in Tom Crooze acting. Some people object to Patrick Bateman narrating the movie [always a weak sign in a movie] and not letting us figure his motives out on our own, but if you watch closely, Bale shows us Bateman's vulnerablity through every minute of every day of his life. The movie is at times hysterical, as his character uses dominant Alpha Monkey behavior around the opposite sex. But again, it's all for good reason.
If not for Bale's performance, see it for the knife twisting satire of the '80's -- from the clothes, to the hairdos, to the music [I'll never be able to hear Phil Collins in the same way again!] The production value is rich in '80's nostalgia from the "Black and White" set designs to the enormous cellphones [how could we forget those?].
This is a movie that major studios are too afraid to touch. This is film making. Remember film making? When films took you on a ride in someone's life and you would walk away with a piece of their mind? American Psycho doesn't have any real morals or answers, but it shows the deep psychological insecurities some men suffer everyday. Oh yeah, and it was directed by a woman, so all you feminists shut up!
- rogerebertsclone
- 14 déc. 2002
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Psychopathe américain
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 15 070 285 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 961 015 $US
- 16 avr. 2000
- Montant brut mondial
- 34 266 679 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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