Un ancien skinhead néo-nazi tente d'empêcher son jeune frère de suivre la même mauvaise voie que lui.Un ancien skinhead néo-nazi tente d'empêcher son jeune frère de suivre la même mauvaise voie que lui.Un ancien skinhead néo-nazi tente d'empêcher son jeune frère de suivre la même mauvaise voie que lui.
- Nommé pour 1 Oscar
- 4 victoires et 15 nominations au total
Jason Bose Smith
- Little Henry
- (as Jason Bose-Smith)
Keram Malicki-Sánchez
- Chris
- (as Keram Malicki-Sanchez)
Histoire
Le saviez-vous
- AnecdotesEdward Norton turned down Il faut sauver le soldat Ryan (1998) to do this film. He and Tom Hanks were both nominated for the Academy Award for Best Actor; neither won.
- GaffesIn the opening scene, Derek fires 24 shots without reloading from a Ruger P94, which could hold no more than 10 rounds in the magazine and one in the chamber.
- Citations
Bob Sweeney: There was a moment, when I used to blame everything and everyone for all the pain and suffering and vile things that happened to me, that I saw happen to my people. Used to blame everybody. Blamed White people, blamed society, blamed God. I didn't get no answers 'cause I was asking the wrong questions. You have to ask the right questions.
Derek Vinyard: Like what?
Bob Sweeney: Has anything you've done made your life better?
- Versions alternativesThe New Line Cinema DVD features three deleted scenes:
- A scene in which an elderly black woman is harassed and made to cry on the boardwalk by a bunch of teenage skinheads.
- A scene after the "party", in which Cameron and Seth go to a café and discuss Derek's change. They then harass a black guy/white girl couple, and then leave. A car is waiting outside, in which several black men watch them leave, before going after them. One black man inside the car remarks "Somebody's gonna get their ass whipped." The aftermath is not shown, but we later learn that Cameron and Seth were attacked.
- A brief scene in the café near the end in which Derek winks at a little black girl and asks her if he looks okay.
- ConnexionsEdited into American History X: Deleted Scenes (1998)
- Bandes originalesBattle Hymn of the Republic
(circa 1856) (uncredited)
Music by William Steffe
Lyrics by Julia Ward Howe (1862)
Sung a cappella by Ethan Suplee with modified lyrics
Commentaire à la une
American History X is a movie of its own. It has a little bit of everything in the way it touches you. This of course making it a very though provoking film. There isn't a genre you can place this film in because it is a not a crime story, action or even a simple drama instead it is a humanistic thriller. What it is about, is the battle over ourselves.
Who better than to display these wild but common complexities within people than Edward Norton. The range he shows here is astounding in only his fifth movie. Norton plays Derek Vinyard, a skin head that realizes through cruel yet necessary events in his life that he has gone down the wrong path. When he comes out of jail he attempts to stop his brother played Edward Furlong from going down the same road he had done. Through all his efforts though some things just prove to be inevitable. Avery Brooks also gives a great performance as Derek Vinyard's former teacher and now principal of his former school. His words may not be of the most inspiring but his actions and messages sent across are subtle yet strong and to the point.
Norton's performance though wasn't just about range but exploring different dimensions of life. Whether it proved to be psychological, social or even political on a certain level. It is a transforming performance revealing something mind blowing and eye opening. That we, and this includes anyone, can take a devastating turn in life no matter how intelligent we are or thoughtful. That the person that determines the outcome of your life is yourself whether it is good or bad. Norton's realizations aren't through teachings such as the ones that got him in jail but they are through the events in the time he spent in jail. He saw the truth for himself realizing then what is false and what is real.
The screenplay written by David McKenna is about as versatile as the performance Norton gives. Not only because of the Derek Vinyard character but because of the characters involved in his life. For example the root of his evil did not come from the murder of his father but rather his father himself. Through just a conversation at breakfast did his negative thoughts get really embedded eventually then leading to them dramatically taking over his mind and way of life. Only when his father got killed did these negative thoughts seem justified. The way this screenplay and direction was able to display this message in just a plethora of other underlying tones was spectacular.
What makes this movie great though is that you can truly find yourself in the messages delivered. As much as the main character might not seem relevant or connected to many people it his emotions and functioning of his mind that all of us are able to connect with. Yet what makes a movie great is not simply the message or messages sent across but how powerfully they are delivered. American History X delivers its multiple and intertwining messages about as powerfully as I've seen from a film.
Who better than to display these wild but common complexities within people than Edward Norton. The range he shows here is astounding in only his fifth movie. Norton plays Derek Vinyard, a skin head that realizes through cruel yet necessary events in his life that he has gone down the wrong path. When he comes out of jail he attempts to stop his brother played Edward Furlong from going down the same road he had done. Through all his efforts though some things just prove to be inevitable. Avery Brooks also gives a great performance as Derek Vinyard's former teacher and now principal of his former school. His words may not be of the most inspiring but his actions and messages sent across are subtle yet strong and to the point.
Norton's performance though wasn't just about range but exploring different dimensions of life. Whether it proved to be psychological, social or even political on a certain level. It is a transforming performance revealing something mind blowing and eye opening. That we, and this includes anyone, can take a devastating turn in life no matter how intelligent we are or thoughtful. That the person that determines the outcome of your life is yourself whether it is good or bad. Norton's realizations aren't through teachings such as the ones that got him in jail but they are through the events in the time he spent in jail. He saw the truth for himself realizing then what is false and what is real.
The screenplay written by David McKenna is about as versatile as the performance Norton gives. Not only because of the Derek Vinyard character but because of the characters involved in his life. For example the root of his evil did not come from the murder of his father but rather his father himself. Through just a conversation at breakfast did his negative thoughts get really embedded eventually then leading to them dramatically taking over his mind and way of life. Only when his father got killed did these negative thoughts seem justified. The way this screenplay and direction was able to display this message in just a plethora of other underlying tones was spectacular.
What makes this movie great though is that you can truly find yourself in the messages delivered. As much as the main character might not seem relevant or connected to many people it his emotions and functioning of his mind that all of us are able to connect with. Yet what makes a movie great is not simply the message or messages sent across but how powerfully they are delivered. American History X delivers its multiple and intertwining messages about as powerfully as I've seen from a film.
- alexkolokotronis
- 31 janv. 2009
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Historia americana X
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 719 864 $US
- Week-end de sortie aux États-Unis et au Canada
- 156 076 $US
- 1 nov. 1998
- Montant brut mondial
- 23 875 714 $US
- Durée1 heure 59 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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