Alyssa et Amanda, deux petites filles identiques, mais parfaitement étrangères l'une à l'autre, se rencontrent accidentellement un jour.Alyssa et Amanda, deux petites filles identiques, mais parfaitement étrangères l'une à l'autre, se rencontrent accidentellement un jour.Alyssa et Amanda, deux petites filles identiques, mais parfaitement étrangères l'une à l'autre, se rencontrent accidentellement un jour.
- Récompenses
- 1 victoire et 3 nominations au total
- Michelle
- (as Michelle Lonsdale-Smith)
Histoire
Le saviez-vous
- AnecdotesMara Wilson was considered for the roles of Amanda Lemmon and Alyssa Callaway after director Andy Tennant had seen her in both Madame Doubtfire (1993) and Miracle sur la 34ème rue (1994). But she was unavailable as she was doing Matilda (1996). Christina Ricci was also considered, but she was also unavailable as she was doing Casper (1995).
- GaffesMary-Kate Olsen plays one of Ashley Olsen's scenes. ("Hail Betty Queen of the Scrap Heap")
- Citations
Diane Barrows: Besides, you don't want to be an orphan forever.
Amanda Lemmon: So adopt me, why don't you!
Diane Barrows: They won't let me adopt you on my salary; besides, you deserve a mother *and* a father.
Amanda Lemmon: So, get a husband.
Diane Barrows: It's not like buying a car, you know.
Amanda Lemmon: I know. It's got to be that can't-eat, can't-sleep, reach-for-the-stars, over-the-fence, World Series kind of stuff, right?
Diane Barrows: Hey, a girl's got to have her standards.
- Crédits fousThe film's logo suddenly appears at the end of the end credits roll.
- Bandes originalesHippy, Hippy Shake
Written by Chan Romero (as Robert [Chan] Romero)
Published by Careers/BMG Music Publishing, Inc. and Jonware Music
Performed by The Georgia Satellites (as Georgia Satellites)
Courtesy of Elektra Records
By arrangement with Warner Special Products
Also, another advantage this movie has over "The Parents Trap", is that even 'though the main characters are both young girls, and one is an orphan in a group home, they are never portrayed as completely helpless, and in need of adult supervision; throughout the whole movie, all the adventures and gigs the girls think-up and go through they do with the help of no one, but themselves, and constantly help each other when either would get in a tough spot. The reason this is such a big advantage for this film is that in most real life, and most movies we see, all the main action is done and held by adults, and kids are treated as little and somewhat spoiled helpless creatures, who can't take care of themselves. This fact, often unconsciously, bores and sickens the audience, sometimes even bringing feelings of disgust towards kids. But in this movie, this problem is dealt with masterfully. Not only do kids here do things all on their own, but many times the adults, when in the same situation, look up to to them for help and advice. I thought this movie was made with a beautiful plot, truly great acting, very nice camera work, and, very importantly, very good character development: enough time is taken to introduce every important character's life before getting anywhere near the main idea of the movie. I would, personally, give this movie a 10/10, hands down.
Meilleurs choix
- How long is It Takes Two?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Enredos de Cupido
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 19 474 589 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 564 147 $US
- 19 nov. 1995
- Montant brut mondial
- 19 474 589 $US