Un négociateur d'otages fait équipe avec un tireur d'élite pour faire tomber un dangereux voleur de bijoux.Un négociateur d'otages fait équipe avec un tireur d'élite pour faire tomber un dangereux voleur de bijoux.Un négociateur d'otages fait équipe avec un tireur d'élite pour faire tomber un dangereux voleur de bijoux.
- Récompenses
- 1 nomination au total
Histoire
Le saviez-vous
- AnecdotesOne of the reasons why Eddie Murphy choose to star in Metro is because he wanted to play a dramatic role in a more serious action picture than his previous films were. Even before he accepted the role in Metro, around early 1995 he was originally going to star in another action thriller titled Sandblast. The script for the film was written by screenwriter Steven Maeda in 1993 and he sold it to Joel Silver, famous producer of many action hits, and Warner Bros. for $750,000.
Described as both Die Hard and Cliffhanger in a desert sandstorm, the plot of Sandblast would have been very similar to the plot of John Woo's Broken Arrow (1996). It was to take place in the Iraq desert after the Gulf War, and Murphy would play the lead role of an ex-landmine expert and army specialist who has to help a group of US commandos stop a team of traitorous Green Berets from tracking down lost nuclear warheads which are somewhere in the desert wasteland, and while dealing with a huge sandstorm at the same time.
Once Murphy quit the project due to scheduling conflicts and then went on to star in Metro, Wesley Snipes was hired to play the main role and there were plans to hire Jean Claude Van Damme to play the main villain, but since Snipes' latest films weren't a success and Van Damme didn't want to play the villain, Warner Bros. cancelled the project in 1996 and it was never made.
- GaffesWhen Scott tells his superior that Kevin won't last two weeks his head is turned away from Kevin so there's no way that Kevin could have read his lips and known that he said that.
- Citations
[training McCall as a hostage negotiator]
Kevin McCall: I'm Officer McCall, I'm unarmed, just want to make sure everybody gets out of her safely.
Scott Roper: Okay, stop right there. Close your eyes.
Kevin McCall: Okay.
Scott Roper: Now tell me what you see.
Kevin McCall: [keeping his eyes closed] I see a scumbag behind the counter with a sawed-off, nine-millimeter tucked away in his waistband. There's a female hostage down in front of the cereal rack with a red polka-dot dress. Another hostage three feet to her right, with blue jeans and a checkered shirt. A male hostage down, green shirt, white pants, in front of the candy rack. There's a female scumbag behind me with a gun tucked away in her shirt, trying to pass herself off as a hostage. And there's a special on toilet paper, four for $1.29. That's a lot of toilet paper. Am I right?
Scott Roper: That's pretty good, you got good eyes.
Kevin McCall: You like that?
Scott Roper: Very impressive.
- ConnexionsEdited into Epicenter (2000)
- Bandes originalesYou Don't Have to Worry
Written by Sean 'Diddy' Combs (as Sean "Puffy" Combs), Chucky Thompson, Heavy D, Quinnes Dammond Parker (as Quinnes Parker), DaRon Jones, Slim (as Marvin Sandrick), Michael Marcel Keith (as Michael Keith) and Jadakiss (as Jason Phillips)
Performed by New Edition
Courtesy of MCA Records
By arrangement with Universal Music Special Markets
There has always seemed to me to be something of a negative bias towards post 1980s Eddie Murphy (Roper) films, it appears that no matter what, nothing that comes close to his best 80s efforts will ever be deemed worthy. Now I'm not saying that Metro is a world beater, or even close to Beverly Hills Cop and Trading Places, but it's an accomplished thriller with classy bits of Murphy humour thrown in. It also boasts splendid support from Michael Rapaport as Roper's intelligent partner McCall, both men playing off each other to good effect, while Michael Wincott with his gravel voice used to full effect, is impressively devilish as the bad guy of the piece. Let down by a weak female lead in Carmen Ejogo, and certainly the familiarity of the genre loses the film any real sense of impending dread, but for a quick fix of nonsense entertainment on a blustery cold night, it's a more than OK viewing. 6/10
- hitchcockthelegend
- 13 janv. 2009
- Permalien
Meilleurs choix
- How long is Metro?Alimenté par Alexa
Détails
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 32 000 301 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 411 107 $US
- 20 janv. 1997
- Montant brut mondial
- 32 000 301 $US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1