Donnie Brasco
- 1997
- Tous publics
- 2h 7min
Un agent infiltré du FBI infiltre la foule et s'identifie davantage à la vie mafieuse, au détriment de sa vie normale.Un agent infiltré du FBI infiltre la foule et s'identifie davantage à la vie mafieuse, au détriment de sa vie normale.Un agent infiltré du FBI infiltre la foule et s'identifie davantage à la vie mafieuse, au détriment de sa vie normale.
- Nommé pour 1 Oscar
- 2 victoires et 16 nominations au total
Zeljko Ivanek
- Tim Curley
- (as Željko Ivanek)
Histoire
Le saviez-vous
- AnecdotesAl Pacino loved being able to use all of the rich Mafia slang throughout the film. Writer Paul Attanasio captured mob dialect so accurately because he had Joseph D. Pistone's wiretaps.
- GaffesSonny Black introduces Donnie to Santo Trafficante as "a friend of ours", it should be "a friend of mine", because Donnie wasn't a made man, only a connected guy as Lefty states earlier in the film. However, in the source material, Joe Pistone noted that Sonny Black did eventually start introducing him, as Donnie Brasco, as "a friend of ours" even though he was not a made man.
- Citations
Lefty: [standing next to Donnie's car at night] There's the boss. And, under him, there's the skipper. You know how this works?
Donnie Brasco: Yeah, it's like in the army.
Lefty: Bullshit. The army is some guy you don't know telling you to go whack some other guy you don't know.
- Versions alternativesIn 2007, Sony released an DVD "Extended Cut" featuring an extra 20 minutes footage (taking the running time up to 147 minutes).
- Bandes originalesA Stranger on Earth
Written by Sid Feller and Rick Ward
Performed by Dinah Washington
Courtesy of Blue Note Records, a division of Capitol Records, Inc.
Under license from EMI-Capitol Music Special Markets
Commentaire à la une
Mike Newell is the weirdest choice for director of a Mafia drama, but he actually makes a terrific fist of it, delivering one of the very best gangster movies ever made. Johnny Depp, Al Pacino, Anne Heche and Michael Madsen are all in top form in front of the camera, too.
Depp plays undercover FBI agent Joseph Pistone in this intriguing true story. Pistone is trying to infiltrate his way into a mob family in order to gather evidence against them. He assumes the identity of "Donnie Brasco" and slowly but surely earns the love and trust of an old-pro hit-man named Lefty Ruggiero (Pacino). As the months go by, Pistone's marriage begins to fall apart as he is away from his wife (Heche) pretty much all the time. The line between his real life and his undercover life blurs together and he finds himself dangerously close to being seduced by the violent Mob lifestyle.
Donnie Brasco is an extraordinary film in many ways. As already mentioned, the performances are note-perfect. But there's so much more to it than that. The late 70s period details are impeccably captured; the dialogue is extraordinarily raw and realistic; the moral dilemma facing Depp is achingly, agonisingly conveyed. It's such a powerful picture, completely involving, that by the end you find yourself wrapped up in Pistone's predicament, asking yourself what decisions you would make in the same circumstances. Very few movies genuinely inspire you to debate the whats, whys and wherefores of the main character and his actions... but with Donnie Brasco, that's just what you'll find yourself doing.
Depp plays undercover FBI agent Joseph Pistone in this intriguing true story. Pistone is trying to infiltrate his way into a mob family in order to gather evidence against them. He assumes the identity of "Donnie Brasco" and slowly but surely earns the love and trust of an old-pro hit-man named Lefty Ruggiero (Pacino). As the months go by, Pistone's marriage begins to fall apart as he is away from his wife (Heche) pretty much all the time. The line between his real life and his undercover life blurs together and he finds himself dangerously close to being seduced by the violent Mob lifestyle.
Donnie Brasco is an extraordinary film in many ways. As already mentioned, the performances are note-perfect. But there's so much more to it than that. The late 70s period details are impeccably captured; the dialogue is extraordinarily raw and realistic; the moral dilemma facing Depp is achingly, agonisingly conveyed. It's such a powerful picture, completely involving, that by the end you find yourself wrapped up in Pistone's predicament, asking yourself what decisions you would make in the same circumstances. Very few movies genuinely inspire you to debate the whats, whys and wherefores of the main character and his actions... but with Donnie Brasco, that's just what you'll find yourself doing.
- barnabyrudge
- 16 sept. 2003
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Brasco
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 41 909 762 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 660 216 $US
- 2 mars 1997
- Montant brut mondial
- 124 909 762 $US
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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