When We Were Kings
- 1996
- Tous publics
- 1h 28min
Ajouter une intrigue dans votre langueBoxing documentary on the 1974 world heavyweight championship bout between defending champion, George Foreman, and the underdog challenger, Muhammad Ali.Boxing documentary on the 1974 world heavyweight championship bout between defending champion, George Foreman, and the underdog challenger, Muhammad Ali.Boxing documentary on the 1974 world heavyweight championship bout between defending champion, George Foreman, and the underdog challenger, Muhammad Ali.
- Récompensé par 1 Oscar
- 12 victoires et 5 nominations au total
- Self - Artist
- (as Malik Bowens)
- Self - Ali's Ass't Trainer
- (as Drew 'Bundini' Brown)
- Self
- (as The Crusaders)
Histoire
Le saviez-vous
- AnecdotesWhen the film won the Academy Award for Best Feature Documentary, George Foreman and Muhammad Ali came to the stage with the filmmakers to show they had made peace. Foreman helped Ali, stricken with Parkinson's Disease, climb the steps to the stage.
- Citations
Muhammad Ali: It is befitting that I leave the game just like I came in, beating a big bad monster who knocks out everybody and no one can whup him. That's when little Cassius Clay from Louisville, Kentucky, came up to stop Sonny Liston. The man who annihilated Floyd Patterson twice. HE WAS GONNA KILL ME! But he hit harder than George. His reach is longer than George's. He's a better boxer than George. And I'm better now than I was when you saw that 22-years old undeveloped kid running from Sonny Liston. I'm experienced now, professional. Jaws been broke, been knocked down a couple of times, I'm bad! Been chopping trees. I done something new for this fight. I done wrestled with an alligator. That's right. I have wrestled with an alligator. I done tussled with a whale. I done handcuffed lightning, thrown thunder in jail. That's bad! Only last week I murdered a rock, injured a stone, hospitalised a brick! I'm so mean I make medicine sick!
Don King: Bad dude!
Muhammad Ali: Bad, fast! Fast! Fast! Last night I cut the light off in my bedroom, hit the switch and was in the bed before the room was dark.
- ConnexionsEdited from The Rumble in the Jungle (1974)
The point of this film was not about the fight itself or George Forman, (yes he played a role) as some have argued it should have. It was about the symbolism that this fight possessed, especially revolving around Muhammad Ali' and the causes he fought for. Recently ESPN selected the top 100 Athletes of all time (well they should have said American Athletes, but that's our American arrogance for you) and Ali was picked third behind Babe Ruth and Michael Jordan. The definition of "greatest athlete" is ambiguous, but in my mind Ali, through this film and my recent is truly, "The greatest" as he so claimed.
The film did an excellent job of getting as much footage as possible of all that occurred during the preparation that led to the fight and how it symbolized the joining of black people in America and Africa for a common cause in defeating their oppressors (US - white supremacy, and in Africa - European Colonialism). (which was clearly the main focus of the film) Yes, their were flaws in the film, and it was carried by the narration, Ali's unbelievably charismatic personality, and the numerous intelligent quotes that were made by him.
But those that wish to criticize the "music" as they call it, clearly have NO UNDERSTANDING OF BLACK CULTURE. This film was a celebration of it, focusing on GREAT MUSICIANS such as James Brown and B.B. King. These artists represent a significant part of black American culture, and knowing how important it probably was to all of those black Americans to go to Africa to spite the white American culture (which wanted the fight there), which they felt used them, was something that was revolutionary.
Before seeing this film I knew little about the "Rumble in the Jungle," and little about Ali, but after seeing this film, I have come to realize that he really was "the greatest."
10/10
Meilleurs choix
- How long is When We Were Kings?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Kelebek Gibi Uçar Ari Gibi Sokarım
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 789 985 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 479 $US
- 27 oct. 1996
- Montant brut mondial
- 2 789 985 $US
- Durée1 heure 28 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1