Mr. Wrong

1996
PG-13
1h 36min

NOTE IMDb

3,8/10

5,5 k

MA NOTE

A lonely single woman finds the seemingly-perfect man to date, but soon regrets it when his deranged, possessive other personality emerges and she cannot convince anyone else of his Jekyll-and-Hyde true nature.

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20 photos

Comedy

Une femme célibataire et esseulée pense avoir trouvé l'homme parfait, mais découvre vite l'autre facette de sa personnalité : il est désaxé et possessif.Une femme célibataire et esseulée pense avoir trouvé l'homme parfait, mais découvre vite l'autre facette de sa personnalité : il est désaxé et possessif.Une femme célibataire et esseulée pense avoir trouvé l'homme parfait, mais découvre vite l'autre facette de sa personnalité : il est désaxé et possessif.

Voir les informations de production sur IMDbPro

NOTE IMDb

3,8/10

5,5 k

MA NOTE

Voir les informations de production sur IMDbPro

Récompenses
- 1 victoire et 2 nominations au total

Anecdotes
Lisa Kudrow screentested for the role of Annie.

Gaffes
Martha turns the TV in her office off twice when Walter walks in.

Citations
Inga Gunther: [about to open a jar of ants] prepare to be consumed, Martha Alston! PREPARE TO BE... oh, God! They're dead. Bob?
Bob: They are?
Inga Gunther: Yes, didn't you feed them?
Bob: i thought you said you wanted them hungry?
Inga Gunther: HUNGRY, Bob! Not DEAD! Now what are we gonna do?
Martha: We could re-schedule, like, you know, next Tuesday is good for me.
Inga Gunther: Dream on, little beauty!

Crédits fous
The text "Bonnie Raitt has donated her licensing fee to charity" appears during the end credits.

Connexions
Featured in Siskel & Ebert & the Movies: Before and After/Rumble in the Bronx/Mary Reilly/Unforgettable/Mr. Wrong (1996)

Bandes originales
The Things We Do for Love
Written by Graham Gouldman and Eric Stewart
Performed by Amy Grant
Produced by Wayne Kirkpatrick
Courtesy of A&M Records, Inc.

Avis des utilisateurs75

Commentaire à la une

4/10

Let's talk about "black comedy"...and how this is a total failure...

"Mr. Wrong" had to be written as a "black comedy", but unfortunately misses the mark by a wide margin. The main problem is that the film is not outrageous enough. Bill Pullman's character resorts to becoming a mean stalker after his rejection by Ellen DeGeneris. At this point the movie turns into nothing more than a glorified cartoon. In order for dark comedy to succeed, it can be outrageous, but not mean spirited. Killing perverts to finance their dream restaurant worked wonders in "Eating Raoul". Here, simply destroying someone's life, for one's own pleasure, is totally off-putting, and not funny. A big disappointment, and definitely not "black comedy". - MERK