Suit la vie de trois jeunes hommes vivant dans le ghetto de Crenshaw à Los Angeles, décortiquant des questions sur la race, les relations, la violence et les perspectives d'avenir.Suit la vie de trois jeunes hommes vivant dans le ghetto de Crenshaw à Los Angeles, décortiquant des questions sur la race, les relations, la violence et les perspectives d'avenir.Suit la vie de trois jeunes hommes vivant dans le ghetto de Crenshaw à Los Angeles, décortiquant des questions sur la race, les relations, la violence et les perspectives d'avenir.
- Nommé pour 2 Oscars
- 12 victoires et 27 nominations au total
Laurence Fishburne
- Furious Styles
- (as Larry Fishburne)
Miya McGhee
- Female Club Member
- (as Mia Bell)
John Cothran
- Lewis Crump
- (as John Cothran Jr.)
Na'Blonka Durden
- Trina
- (as Na' Blonka Durden)
Jessie Lawrence Ferguson
- Officer Coffey
- (as Jesse Ferguson)
Histoire
Le saviez-vous
- AnecdotesTo maintain a sense of realism, writer and director John Singleton never warned the actors and actresses about when shots would be fired. Their reactions were real.
- GaffesWhen Ricky is shot, both of the shots exit from the right barrel of his double-barrel shotgun.
- Citations
Furious Styles: Any fool with a dick can make a baby, but only a real man can raise his children.
- Crédits fousAfter the epilogue of what happens to Doughboy and Tre, the words "Boyz n the Hood: Increase the Peace" appears onscreen
- Versions alternativesThe Criterion Collection laserdisc features two scenes deleted from the theatrical version. They are as follows: Tre and his mother have a telephone conversation about his future with Brandi and college. Doughboy has a confrontation with Furious after Ricky gets shot.
- ConnexionsEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
Commentaire à la une
John Singleton's Boyz n the Hood remains one of the best fictionalized and most poignant summaries of some of America's toughest internal problems - racism, violence, poverty, and drug abuse. This is not a hip-hop film, nor a detached and dehumanized story about "gang violence" (the great over-simplified scapegoat of the issues treated in this film), its a story about growing up fatherless or motherless in a war zone with a faceless enemy, where people do not value each other's lives at all and value their own lives only slightly more.
Laurence Fishburn leads one of the best casts of the early 1990s, in his memorable portrayal of Furious Styles, a father trying to raise his son (Cuba Gooding Jr) well in an environment where murder and substance abuse are day-to-day realities - South Central L.A. The film follows his son, Tre, and his friends, from the hardships of childhood in an irrelevant educational system and a neighborhood which doesn't allow kids to be kids, through to the realities of making decisions about the value of life and the development of responsibility and hope as young adults.
The cast disappears into their characters and brings each one to life in a unique and powerful way. losing the identities of big personalities like Fishburne and Ice Cube is no mean feat. Many of the performances recorded here are award-worthy - Fishburne, Bassett, Chesnutt, Gooding, and Ice Cube are especially memorable. For me personally, this is the film that convinced me that Ice Cube was destined to become a major personality in American cinema. While I had enjoyed some of his music prior to this film, it was here that I was first exposed to his versatility and intelligence as an actor.
While some may see some of the film's messages as heavy-handed, and others might have issues with the fact that the film deals with so many of the problems of inner-city life in a very 'in-your-face' almost archetypal manner, I find these criticisms impossible to justify.
This is a great film about real issues, sensitively portrayed and thoughtfully examined. Every American who cares about the vast untapped potential of our people ought to take a long, hard look at this one. These are not 'black problems', they are everybody's problems, and their solutions will require everybody's understanding. I could think of far worse places to begin developing that understanding than Boyz n the Hood.
Laurence Fishburn leads one of the best casts of the early 1990s, in his memorable portrayal of Furious Styles, a father trying to raise his son (Cuba Gooding Jr) well in an environment where murder and substance abuse are day-to-day realities - South Central L.A. The film follows his son, Tre, and his friends, from the hardships of childhood in an irrelevant educational system and a neighborhood which doesn't allow kids to be kids, through to the realities of making decisions about the value of life and the development of responsibility and hope as young adults.
The cast disappears into their characters and brings each one to life in a unique and powerful way. losing the identities of big personalities like Fishburne and Ice Cube is no mean feat. Many of the performances recorded here are award-worthy - Fishburne, Bassett, Chesnutt, Gooding, and Ice Cube are especially memorable. For me personally, this is the film that convinced me that Ice Cube was destined to become a major personality in American cinema. While I had enjoyed some of his music prior to this film, it was here that I was first exposed to his versatility and intelligence as an actor.
While some may see some of the film's messages as heavy-handed, and others might have issues with the fact that the film deals with so many of the problems of inner-city life in a very 'in-your-face' almost archetypal manner, I find these criticisms impossible to justify.
This is a great film about real issues, sensitively portrayed and thoughtfully examined. Every American who cares about the vast untapped potential of our people ought to take a long, hard look at this one. These are not 'black problems', they are everybody's problems, and their solutions will require everybody's understanding. I could think of far worse places to begin developing that understanding than Boyz n the Hood.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Los dueños de la calle
- Lieux de tournage
- 5918 Cimarron Street, Los Angeles, Californie, États-Unis(Furious Styles' house)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 57 504 069 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 023 462 $US
- 14 juil. 1991
- Montant brut mondial
- 57 532 703 $US
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of Boyz n the Hood : La Loi de la rue (1991) in Mexico?
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