Un prince égoïste est maudit de devenir un monstre pour le restant de ses jours, à moins d'apprendre à tomber amoureux d'une belle jeune femme qu'il garde prisonnier.Un prince égoïste est maudit de devenir un monstre pour le restant de ses jours, à moins d'apprendre à tomber amoureux d'une belle jeune femme qu'il garde prisonnier.Un prince égoïste est maudit de devenir un monstre pour le restant de ses jours, à moins d'apprendre à tomber amoureux d'une belle jeune femme qu'il garde prisonnier.
- Récompensé par 2 Oscars
- 33 victoires et 32 nominations au total
- Belle
- (voix)
- Beast
- (voix)
- Lefou
- (voix)
- Maurice
- (voix)
- Lumiere
- (voix)
- Chip
- (voix)
- (as Bradley Michael Pierce)
- Cogsworth
- (voix)
- …
- Gaston
- (voix)
- Wardrobe
- (voix)
- Bimbette
- (voix)
- Stove
- (voix)
- Bookseller
- (voix)
- Monsieur D'Arque
- (voix)
- Baker
- (voix)
- Bimbette
- (voix)
Histoire
Le saviez-vous
- AnecdotesAll songs were the last complete works for a movie by Academy Award winner Howard Ashman. Ashman died eight months prior to the release of this movie. This movie is dedicated to Ashman; at the end of the final credits, you can read the dedication: "To our friend Howard, who gave a mermaid her voice and a beast his soul, we will be forever grateful."
- GaffesDuring the fighting scene between Gaston and Beast, Gaston says "Belle is mine!" But his mouth is saying something else. This is because, he was originally supposed to say, "Time to die!" but the writer changed it to fit Belle back in the scene.
- Citations
[first lines]
Narrator: Once upon a time in a faraway land, a young prince lived in a shining castle. Although he had everything his heart desired, the prince was spoiled, selfish, and unkind. But then, one winter's night, an old beggar woman came to the castle and offered him a single rose in return for shelter from the bitter cold. Repulsed by her haggard appearance, the prince sneered at the gift and turned the old woman away. But she warned him not to be deceived by appearances, for beauty is found within. And when he dismissed her again, the old woman's ugliness melted away to reveal a beautiful enchantress. The prince tried to apologize, but it was too late, for she had seen that there was no love in his heart. And as punishment, she transformed him into a hideous beast and placed a powerful spell on the castle and all who lived there. Ashamed of his monstrous form, the beast concealed himself inside his castle, with a magic mirror as his only window to the outside world. The rose she had offered was truly an enchanted rose, which would bloom until his 21st year. If he could learn to love another, and earn her love in return by the time the last petal fell, then the spell would be broken. If not, he would be doomed to remain a beast for all time. As the years passed, he fell into despair and lost all hope, for who could ever learn to love a beast?
- Crédits fous"To our friend, Howard, who gave a mermaid her voice and a beast his soul, we will be forever grateful. Howard Ashman (1950-1991)"
- Versions alternativesThis film was re-released in IMAX and other large format theaters on January 1, 2002. The following changes were made to the film for this release:
- The "In Association with Silver Screen Partners IV" credit is replaced with "The Special Edition Of--" on the opening title sequence. The 2002 Platinum Edition DVD omits this credit and the Walt Disney Pictures Presents credit stays on screen.
- The 2002 Platinum Edition DVD omits the Beast's "stutter" ("You wan-wanna stay in the tower?").
- The animation in some of the scenes went back through the clean-up animation department a second time, to correct problems such as wavering lines and missing details, which, while not very noticeable during a traditional 35mm showing of the film, would have been discomforting on a much large IMAX screen. Small details, such as the blood in Beast's wound after his fight with the wolves, were also added.
- At the end of the "Something There" sequence, the background has been changed from Belle and Beast in front of the fireplace to an empty hallway, and a bit of the character animation has also been altered in this shot.
- Six minutes of new footage was added between the songs "Something There" and "Beauty and the Beast," most of which is made up of a new musical sequence, "Human Again." This song was written by Howard Ashman and Alan Menken for the original version of the film, but cut for continuity purposes. After Alan Menken altered the song to make it work for the Broadway stage version of Beauty and the Beast, the song was worked back into the film.
- During the "Human Again" song sequence, the household objects clean up the Beast's castle, which necessitated having the background artists go back and digitally re-paint the backgrounds for the castle scenes that followed so that the castle was clean.
- The animation for Cogsworth's line to the Beast after Belle is freed ("Yes-yes-yes, but...why?") was completely re-done, as the directors never liked how the animation looked in the original version.
- New sound effects are added to the shot where Belle and Phillippe leave the castle to find Maurice, which are supposed to suggest that the Beast trashes his room in anguish (and also so that the backgrounds from this point on would not have to be repainted).
- The ending credits are longer to necessitate the addition of an additional passage of score music, the version of the 'Transformation' theme that was cut out of the original film, to the end of the film.
- ConnexionsEdited from Bambi (1942)
BEAUTY AND THE BEAST is Disney at its peak. From the stained glass window at the opening and the beautiful narration, the viewer is drawn into the story by the appealing music and clever lyrics ("Belle's Song") which gets the picture off to a bouncy start. The opening sequence showing Belle and the townspeople in song is masterfully handled and choreographed for maximum effect, setting the tone for the entire story.
The plot becomes thicker once Belle's father enters the castle grounds where the Beast resides. The castle interiors are brilliantly Baroque and the odd characters inhabiting the grounds are delightfully rendered by a perfect blending of art and voice talent. Cogsworth, Lumiere and Mrs. Potts are delightful creations, each with strong, consistent personalities. David Ogden Stiers, Jerry Orbach and Angela Lansbury cannot be praised enough for their contributions.
Two of the musical highlights are Orbach's dazzling job on "Be My Guest" (with French accent) and Angela's tender rendering of the title song, "Beauty and the Beast". Unforgettable movie moments. As Gaston, Richard White's robust baritone voice adds greatly to the effectiveness of his villainy.
It's no wonder the film was the first to receive recognition by the Academy with a Best Picture nomination. Outstanding in every department, including the end title song sung by Celine Dion and Peabo Bryson in a more "modern" style.
Along with SNOW WHITE and SLEEPING BEAUTY, a top-notch fairy tale with its appeal evenly divided between adults and children--as well as the child in all of us.
Meilleurs choix
- How long is Beauty and the Beast?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- La bella y la bestia
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 218 967 620 $US
- Week-end de sortie aux États-Unis et au Canada
- 162 146 $US
- 17 nov. 1991
- Montant brut mondial
- 451 291 298 $US
- Durée1 heure 24 minutes
- Couleur
- Mixage
- Dolby Stereo(original release)