Homicide

Titre original : Homicide: Life on the Street

Série télévisée
1993–1999
16
1h

NOTE IMDb

8,7/10

16 k

MA NOTE

POPULARITÉ

574

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Cop Drama Police Procedural Crime Drama Mystery Thriller

Une série télévisée procédurale de la police étasunienne relatant le travail d'une version fictive de l'unité des homicides du département de police de Baltimore.Une série télévisée procédurale de la police étasunienne relatant le travail d'une version fictive de l'unité des homicides du département de police de Baltimore.Une série télévisée procédurale de la police étasunienne relatant le travail d'une version fictive de l'unité des homicides du département de police de Baltimore.

Voir les informations de production sur IMDbPro

NOTE IMDb

8,7/10

16 k

MA NOTE

POPULARITÉ

574

Voir les informations de production sur IMDbPro

Émission notée 177 parmi les meilleures

Récompensé par 4 Primetime Emmys
- 25 victoires et 82 nominations au total

Épisodes122

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HautLes mieux notés7 saisons4 ans

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Histoire

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Anecdotes
In 1988, Baltimore Sun reporter David Simon joined the Baltimore Police Homicide Unit as a civilian assistant in order to chronicle a year in the life of a big-city homicide squad. His extensive notes, interviews, and observations were eventually published as the book, "Homicide: A Year on the Killing Streets." This book served as the inspiration for the TV series Homicide (1993). Much of the first and second seasons are taken from actual events recounted in the book.

Gaffes
In a number of episodes, in-vehicle shots with a "back seat" perspective often show that the vehicle being filmed in is in fact a Chrysler-produced sedan. Note the older star-in-pentagon emblem on the steering wheel instead of the Chevy Cavaliers that the detectives drive. This is likely due to the lower headroom in the Cavalier, making it difficult to film that perspective.

Citations
Det. Frank Pembleton: You know, every day I get out of bed and drag myself to the next cup of coffee. I take a sip and the caffeine kicks in. I can focus my eyes again. My brain starts to order the day. I'm up, I'm alive. I'm ready to rock. But the time is coming when I wake up and decide that I'm not getting out of bed. Not for coffee, or food or sex. If it comes to me, fine. If it won't, fine. No more expectations. The longer I live, the less I know. I should know more. I should know the coffee's killing me. You're suspicious of your suspicions? I'm jealous, Kay; I'm so jealous. You still have the heart to have doubts. Me? I'm going to lock up a 14-year-old kid for what could be the rest of his natural life. I got to do this. This is my job. This is the deal. This is the law. This is my day. I have no doubts or suspicions about it. Heart has nothing to do with it any more. It's all in the caffeine.

Connexions
Featured in The 45th Annual Primetime Emmy Awards (1993)

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It's Too Bad That It's Gone!!

The reason this fine show was canceled was due to much of the public. Most people were unable to properly digest the great substance of this show. There is an extreme difference in reading a book of substance such as "In Cold Blood", by Truman Capote, and reading a frivolous, coffee table book such as "Sex" by Madonna. Likewise, there is a difference between watching a program like "Homicide" and watching a program like "The A-Team". The show was so deep, people didn't watch.

The characters were outstanding. It's always good to watch excellent drama in which characters have strengths and weaknesses. Their weaknesses were were emphasized greatly to show realism. Naturally, the stories were great.

Another thing I miss was the crossover between "Homicide" and "Law and Order". These shows retained their individual styles while bringing the characters together so nicely.

It's too bad that it's gone.