Deux joueurs de basket, l'un blanc, l'autre noir, unissent leurs forces pour multiplier leurs chances de se faire de l'argent facile sur les terrains publics et dans un tournoi de basket.Deux joueurs de basket, l'un blanc, l'autre noir, unissent leurs forces pour multiplier leurs chances de se faire de l'argent facile sur les terrains publics et dans un tournoi de basket.Deux joueurs de basket, l'un blanc, l'autre noir, unissent leurs forces pour multiplier leurs chances de se faire de l'argent facile sur les terrains publics et dans un tournoi de basket.
- Récompenses
- 6 nominations au total
Histoire
Le saviez-vous
- AnecdotesWhen Woody Harrelson was making this movie, the producers hired Bob Lanier, the retired Detroit Pistons' center, as a basketball coach. Harrelson, who had played some basketball in college, was bragging to Lanier about what a great player he was. Lanier invited Harrelson to play a little one-on-one. Harrelson later described it as "the most embarrassing fifteen minutes of my life."
- GaffesBefore the second hustle game in Watts, Sidney declares the game to be "make it take it", meaning a team retains possession of the ball after scoring a basket. However, after Billy makes the first shot of the game, their opponents (Robert and Zeke) take possession of the ball.
- Citations
Sidney Deane: [to Junior, after losing his borrowed money to Billy in a shooting challenge on the Venice Beach basketball courts] Oh man shut your anorexic malnutrition tapeworm-having overdose on Dick Gregory Bahamian diet-drinking ass up. Leave me alone!
- Crédits fousIn the opening credits, we can hear the classical 20th Century Fox Fanfare in a hip hop style.
- Versions alternativesSome U.S. video versions are three minutes longer.
- ConnexionsEdited into White Men Can't Jump: Deleted Scene (2000)
- Bandes originalesMood Indigo
Written by Duke Ellington, Barney Bigard and Irving Mills
However in my opinion the best movie to ever capture the game of hoops is the criminally underrated and underseen White Men Can't Jump, by director Ron Shelton. Shelton also brought us the more popular baseball film Bull Durham and the golf flick Tin Cup. But I'd argue White Men Can't Jump is his centerpiece. The story revolves around two street court b-ball hustlers. One new in town, smooth, and white (Woody Harrelson), undoubtedly to his advantage. The other man, a black, a veteran of the LA courts, and fast-talking (Wesley Snipes). After Harrelson hustles Snipes the two form an unlikely partnership "ebony and ivory" but as always it is on edge and lacks a required amount of trust.
For a film that was released in the aftermath of the Rodney King beating and the L.A. riots and just before the O.J. Simpson debacle, White Men Can't Jump is surprisingly mature, witty, light hearted and open-minded in its approach to the race issue. Ron Shelton's dialogue is amazingly rapid fire and smart. It bites and certainly has a sting to it, but it's all in good fun. The multi-flamboyant personalities on the outdoor L.A. street courts hustler each other, crack "yo-mama" jokes with one another, and try to look better than the other. This is the movie that really put Wesley Snipes on the map and showed that Woody Harrelson was far more than just another face in the "Cheers" ensemble. Both provide excellent work in not only playing the characters but also learning how to play basketball and talk like actual street hustlers. There's very few standins here. Both Snipes and Harrelson learned to play the sport as well as any actor could be expected to. Rosie Perez is good as Harrelson's annoying and overbearing Puerto Rican girlfriend. If any one word can describe White Men Can't Jump, that word is "fun." The movie tackles serious issues like hustling, family, relationships, race, life in poverty, and gambling debts. However if Robert Rossen's pool hall film The Hustler presented the dark side of the life, Ron Shelton's White Men Can't Jump shows the flip side of the coin. How hustling can be fun and games.
Grade: A-
Meilleurs choix
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 76 253 806 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 711 124 $US
- 29 mars 1992
- Montant brut mondial
- 90 753 806 $US
- Durée1 heure 55 minutes
- Couleur
- Rapport de forme
- 1.85 : 1