D'étranges visions hantent une chanteuse lorsqu'elle, son fils et son psychiatre qui est aussi son petit ami emménagent dans une vieille maison coloniale hantée par le fantôme d'un impitoyab... Tout lireD'étranges visions hantent une chanteuse lorsqu'elle, son fils et son psychiatre qui est aussi son petit ami emménagent dans une vieille maison coloniale hantée par le fantôme d'un impitoyable propriétaire d'esclaves.D'étranges visions hantent une chanteuse lorsqu'elle, son fils et son psychiatre qui est aussi son petit ami emménagent dans une vieille maison coloniale hantée par le fantôme d'un impitoyable propriétaire d'esclaves.
- Dr. Ben Brightman
- (as William M. Hindman)
- Detective Whitcomb
- (as Jakie Davis)
Histoire
Le saviez-vous
- AnecdotesAfter the film's underwhelming performance, it was released on VHS and then LaserDisc, but then fell into obscurity. In 2004, film historian Robert Ellinger was in one of the last video rental stores that still sold VHS tapes when the film caught his eye. He loved the film's music, especially "Beat of the Heart", but no soundtrack had ever been released. This began his long obsession with the film. He began acquiring everything he could from the film: test posters, various foreign VHS copies and even a promotional paperweight from when the film was released to home video. He was able to reach the film's costume designer Beverly Safier, who sent him a piece of fabric from one of the dresses that Kate wears in the film. He wanted to see if the film had other fans, so he uploaded "Beat of the Heart" to YouTube and discovered that there were fans who loved both the song and the movie. Because Ellinger works in the music industry, he was able to locate the film's composer The Barber Brothers (who was really just one person, Billy Barber) and asked him if he had the original masters for the soundtrack, but they were lost. Unwilling to give up, Ellinger contacted producer Daniel F. Bacaner, who had disowned the film and was surprised to hear someone mentioning the film so long after its release. Ellinger told Bacaner that he should re-release the film to introduce it to a new audience. They were able to locate the original negatives in an MGM vault in Pittsburgh, where it had remained for thirty years, as well as a treasure trove of unused promotional materials. Bacaner contacted director Richard Friedman and was able to secure a restoration by Arrow Video, who also gave the film a Blu-Ray release. They were able to get some of the cast and crew to provide some background information on the film, and Friedman, Bacaner and Ellinger made a commentary track. Billy Barber even performed a piano cover of "Beat of the Heart." As thanks for setting the restoration in motion, Bacaner gave Ellinger some negatives from the film out of his personal collection.
- GaffesThe workman's eyes clearly move after he is dead.
- Citations
Michael Murphy: [as a hallucination to Kate] Hi Miss Christopher... I'm fine now... wanna see?
[unzips his forehead, causing his scalp to fall off, displaying his pulsating brain]
- ConnexionsReferenced in Robot Ninja (1989)
- Bandes originalesBeat of the Heart
by Billy Barber
This one wasn't that bad of an effort. One of it's best elements is the fact that the backstory used to set up the haunting manages to work itself out rather well. With the idea of the house being haunted by the ghosts of the past who are looking to settle the score for the treatment inflicted upon them by the cruel slave-owner in the past, which is a fine and worthwhile showing for these kinds of films in order to set up a potential haunting. That the early setups inside the house bring about their early introduction into the supernatural happenings in the house, from finding the secret room filled with pigeons to the discovery of the diary and the strange key on the grounds which all signal the start of the creepy action. That also leads to the film's rather decent and enjoyable haunting scenes. With the first hauntings occurring through her nightmares to the discovery of the bones locked in the attic and then the children's toys coming to life and playing on their own, this builds up rather nicely with a nice series of visions and sequences that further fuel her mental anguish. Since the attacks and visions are based more on her being the main witness to the action and her backstory being his patient as well as the backstory with the house, these come together rather nicely to deliver some pretty fun cheesy moments that move the hauntings into possession that matches the activity in the backstory. Featuring some solid action in this part of the film and really having a lot to like in the finale, these here hold this one up for the most part. There are a few problems here. The main issue is the absolutely troublesome beginning to this one to get the film going as it takes a while to get the storyline setup. The exploits of the doctor at the asylum working with his patients isn't all that interesting, as making his rounds or showing how he cares for the more psychotic inmates doesn't really serve any kind of interesting activities going on, especially with the plotless reasons for staying there as often as we do. That this is countered by the boring scenes of them packing up to move into the house just makes for an overlong and boring setup that takes forever to get going as the lack of horror scenes early on due to this issue is quite noticeable. The other big problem with this one is the absolutely bizarre and chaotic final half that makes no sense whatsoever. The film throws the characters through several alternate timelines and periods of history with various figures from her past thrown together into one random series of hallucinations to torment her and yet none of it makes any sense since nothing comes of these scenes. There's no greater sense of understanding the events of the past or using them to have the upper hand in the big confrontation, and it just ends up going through its scenes in such a random manner as chaotically as it does here just makes for a confusing time that lowers this one significantly. These here are the biggest problems to be had with this one.
Rated R: Graphic Language and Graphic Violence.
- kannibalcorpsegrinder
- 29 avr. 2019
- Permalien
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Détails
Box-office
- Budget
- 1 300 000 $US (estimé)