Le Lendemain... du crime

Titre original : The Morning After

NOTE IMDb

5,9/10

7,6 k

MA NOTE

A washed up, alcoholic actress who is prone to blackouts wakes up next to a murdered man. Did she kill him and, if not, is she in danger?

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41 photos

Crime Mystery Romance Thriller

Une actrice alcoolique, sujette aux évanouissements, se réveille à côté d'un homme assassiné, mais elle ne sait pas si c'est elle qui l'a tué.Une actrice alcoolique, sujette aux évanouissements, se réveille à côté d'un homme assassiné, mais elle ne sait pas si c'est elle qui l'a tué.Une actrice alcoolique, sujette aux évanouissements, se réveille à côté d'un homme assassiné, mais elle ne sait pas si c'est elle qui l'a tué.

Voir les informations de production sur IMDbPro

NOTE IMDb

5,9/10

7,6 k

MA NOTE

Voir les informations de production sur IMDbPro

Nommé pour 1 Oscar
- 1 nomination au total

Anecdotes
This was the only film that director Sidney Lumet ever made in Hollywood, a place that he disliked.

Gaffes
The taxi driver tells Alex that it is Thursday November 28, 1986. However, November 28, 1986 was a Friday.

Citations
Alex Sternbergen: [Her first lines] What the fuck?

Crédits fous
The credits don't begin until nine minutes into the film.

Connexions
Featured in Siskel & Ebert & the Movies: Platoon/Lady and the Tramp/No Mercy (1986)

Bandes originales
Solo saxophone
Performed by George Howard

Avis des utilisateurs53

Commenter

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6/10

Character driven thriller

I was entertained. The murder mystery isn't going to impress anyone since you can count the number of suspects on one hand with a couple fingers left over. But the characters are interesting and are brought to life well by capable actors. Bridges' character is what would be termed today "casually racist." Fonda's character keeps bringing it up too despite getting further involved with the guy. It's kind of fascinating honestly. Both actors do well making you care about people that, on paper, seem pretty unlikable. Raul Julia steals every scene he's in.

I've come to appreciate Sidney Lumet's later work more as I get older. Not saying you have to be older to like his films but in my case it worked out that way. He wasn't afraid of complex characters, even offensive ones. It's hard not to respect that as we get closer to Demolition Man's vision of the future every year.