Une balle dans la tête

I've been using my DVD subscription service to go back over old films that I have either not seen or have not seen for ages and am focusing on those from the Far East that everyone expects you to have seen – mostly, at this point, the work of Kurosawa. I came to Bullet in the Head because I do enjoy John Woo's action films – even some of those he did when he came to America. As an "earlier" Woo film, I knew what to expect from Bullet in the Head, or at least I thought I did. Going with it we appear to have the standards of his creations all in place. Criminals, tragedy, flamboyant gunplay and massive action sequences with relationship drama going on in the middle of it. All of this is here and it works pretty well. Essentially it is the tale of three friends who go through crime and war together, changing their dynamics in tragic ways. At this level it is fine and I was interested in the characters and the relationships – OK, not a lot of complexity in there but enough to suit an action film such as this.

The action sequences involve the usual jumping around, use of slow-motion and multiple showers of bullets. So, in essence, I can see why the film is loaded down with 5* reviews from the majority of the site's prolific reviewers (that's the filter I use when viewing the comments section), because the film does deliver much of what one would expect from John Woo and John Woo is/was good at doing it. But here is the problem – he sets it in Vietnam. Not only that but he acknowledges the horror of the war and the impact it had on those involved in it – mental and physical. OK, so nothing wrong with that in itself but it doesn't work when you have one scene of extreme violence that is shocking and harrowing and then you following up immediately with one that is exciting and well-choreographed. The extreme violence doesn't take away from the central story (because it is part of it) but by mixing it up with a much darker version of it he sets out a real challenge for himself, which is – can he manage to produce a film that explores themes covered in "serious" films such as Deer Hunter, while also delivering an action film based on the violent splintering of three friends? Sadly the answer is no, he cannot, and this is demonstrated within the film. It is a clumsy affair that does deliver harrowing scenes but is scared to linger on them or to do more with them that cheapen them by only having them as a device to move the plot the way it needs to go. It also doesn't help that Woo doesn't seem interested in being subtle or clever – so a film that really should end in an emotional kick in the guts in the boardroom (where the explosions are character based) spills out into a car chase and shootout that isn't exciting and doesn't fit with the tone of the ending. Within this the cast do a reasonably good job and some do almost manage to carry the film across the jumps in content and style. I always like Tony Leung and he is a good piece of casting. He doesn't totally manage to convince with what the script asks him to do but he is a good heart of the film. Cheung is not quite as good but works well with Leung to build a believable friendship. Lee has less to work with as his character is a lot simpler and I thought his performance was weaker as a result. Yam was an invincible and cool presence that didn't add a lot to the story but made for a good character.

Overall, Bullet in the Head produces many of the things that I came to the film for and as such had enough to keep me interested. The problem was that it never hung together convincingly and the use of the war as a backdrop introduced things that could have been impacting but just didn't gel. The action scenes are good (even if not as well choreographed due to the scale of the battles) but the plot is the start of the problem in a film that is never what it should be and certainly shouldn't be listed among the "must-see" films from Woo.