Cry-Baby
- 1990
- Tous publics
- 1h 25min
Dans les années 1950 à Baltimore, un mauvais garçon au coeur d'or gagne l'amour d'une gentille fille, dont le petit ami veut se venger.Dans les années 1950 à Baltimore, un mauvais garçon au coeur d'or gagne l'amour d'une gentille fille, dont le petit ami veut se venger.Dans les années 1950 à Baltimore, un mauvais garçon au coeur d'or gagne l'amour d'une gentille fille, dont le petit ami veut se venger.
- Réalisation
- Scénario
- Casting principal
Histoire
Le saviez-vous
- AnecdotesTo find a young actor for the role of Wade "Cry-Baby" Walker, director John Waters bought thirty dollars worth of teen magazines, all of which showed Johnny Depp of 21 Jump Street (1987) on the cover. Depp thought the script was funny and strange, and took the offbeat role to avoid being typecast as a television teen idol.
- GaffesThe tattooed teardrop on Cry-Baby's face at the end of the movie appears and disappears.
- Citations
Cry-Baby: That's right, Allison. My father was the "Alphabet Bomber." He may have been crazy, but he was my pop. Only one I ever had.
Allison: God. I heard about the Alphabet Bomber. Bombs exploding in the... in the airport and barber shop...
Cry-Baby: That's right. All in alphabetical order. Car wash... drug store... I used to lay in my crib and hear him scream in his sleep..."A,B,C,D,E,F,G... BOOM! BOOM!"
Allison: But your mom...
Cry-Baby: My mother tried to stop him. She couldn't even spell, for Christ's sake, but they fried her too.
- Crédits fousThe film begins with an old-fashioned 50's style Universal logo. It's also accompanied by 50's doo-wop music. A stage curtain opens up the movie.
- Versions alternativesThe USA cable network version has a few extra scenes, including two extra songs, "Chicken" and "The Naughty Lady of Shady Lane":
- Hatchetface's parents selling cigarettes by the school
- Toe-Joe's does a "work-with-me" spiel instead of thanking his "Nudie Cutie"
- an added act of a flexible little girl in the RSVP charm school talent show
- extra footage of Hatchtface chasing Snaredrum and Susie Q around Ramona's front lawn
- Lenora's "gunboats" are now "goldmines"
- The third verse of Allison's song, "Teenage Prayer," is included
- Extra footage of Cry-Baby driving his motorcycle to the charm school, a cop chasing him and an air raid drill that interupts Allison's act
- Cry-Baby combs his hair instead of adjusting his crotch when he gets off of his motorcycle;
- "Lay That Pistol Down" dance number is included
- Cry-Baby arrives during "So Young" instead of before the song beginning, as in video version
- In the movie, Hatchetface says, "Ain't ya got tits? Stick 'em out for God's sake!" In the USA Network version, she says, "Ain't ya got a figure? Show it!"
- There is a longer scene with Wanda, her parents, and Inga, the Swedish exchange student
- The showdown is at Turkey Point instead of at the press conference in front of the prison
- Bandes originalesKing Cry Baby
Written by Doc Pomus and Dave Alvin
Performed by James Intveld
Additional vocals by Rachel Sweet
Produced by Dave Alvin
I was well into my 20's when the movie first came out, not a fan of 21 Jump Street, and no stranger to movies, including masterpieces and early John Waters, but I LOVED it, and have caught the uncut version on USA network quite a few times.
Cry-Baby is no Citizen Kane, and it's no Pink Flamingos, but, at risk of being pretentious, I will say that its full of something that makes art: Truth. Even in incredibly silly scenes, the movie is based in real and true emotions. John Waters' love for the fun parts of the 50's, (and hatred of the status quo that obviously made his teen years a living hell) is all over this film.
Yes, scenes such as the orphanage are silly, but the cynicism of the orphanage workers and the angst of the mother are as real as can be. The silliness works because the John Waters BELIEVES in what he is saying, and makes damn sure that his actors are with him!
All of the actors, from Johnny Depp who (as with all of his roles) *becomes* the character to Joe Dallesandro who barely can get his lines out, believe in their characters.
"Cry-Baby" parodies 50's "Teen Rebel" musicals such as "Rock Around the Clock" and "Don't Knock the Rock", but with obvious affection.
Yes, it's a musical. If you're one of those cynics who says things like "But people DON'T just start singing in real life" don't see it. Movies exist to give us a break from real life while mirroring it enough to be cathartic. Musicals and parodies take it one step further. They're not diaries, they're not reality, they're MOVIES!
"Cry-Baby" is a lot of fun, and the soundtrack is terrific (and "Hairspray"'s is even better!).
If you liked "Cry-Baby", I recommend "Hairspray" (not quite so silly, just as sweet.) and "But I'm A Cheerleader," which is definitely Waters-inspired, from its use of pink to its incredibly true emotions within very silly situations.
If you didn't like Cry-Baby, how sad. You obviously missed something.
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Détails
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 8 266 343 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 004 905 $US
- 8 avr. 1990
- Montant brut mondial
- 8 266 655 $US
- Durée1 heure 25 minutes
- Couleur
- Rapport de forme
- 1.85 : 1