Ajouter une intrigue dans votre langueAn escaped convict (Harrison) becomes obsessed with an artist (Seymour) and her 6 year old son.An escaped convict (Harrison) becomes obsessed with an artist (Seymour) and her 6 year old son.An escaped convict (Harrison) becomes obsessed with an artist (Seymour) and her 6 year old son.
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- AnecdotesThe music playing during the art class when Laura is speaking to Jeffrey about funding for additional life models, is Air (On the G String) by Johann Sebastian Bach (1685 - 1750), a rearrangement by one August Wilhelmj, which he completed in 1871. It originally came from the second movement of his Orchestral Suite No. 3, which was in D major, BWV 1068.
- Citations
Gary Nicholson: Where is he? I want my son.
Laura Hendricks: Leave us alone! Dear Lord, leave us alone!
Gary Nicholson: Not until I find my...
Josh Hendricks: No! Leave my mom alone!
Gary Nicholson: Son.
Josh Hendricks: You're not my daddy!
Laura Hendricks: Josh, get out of here, quick!
Josh Hendricks: Leave my mom alone! I hate you!
Gary Nicholson: Son?
Josh Hendricks: I hate you! I hate you! I hate you!
Gary Nicholson: You don't hate me. A son doesn't hate his father!
Josh Hendricks: You're not my daddy! Leave my mom alone, I hate you!
[Laura grabs the pitchfork and pushes Gary. He falls screaming to his death into the combine harvester. Laura weeps]
Seymour's long hair is wavy here and she wears bohemian clothes suitable for an art teacher. Laura is not a role of any depth, and her best scene is probably when she bickers with Diana, who gets the professorship because of the wealth of her father. She isn't even allowed to react to a presumably naked Harrison when he models for her class, their romantic dinner scene seems more interested in displaying candles than showing any flesh, and her girlfriend talk with Marci (Peggy Rea) where Laura wonders how she could have been attracted to the unstable Garry, cuts away from Seymour's face.
The teleplay by Paul and Sharon Boorstin uses the Rumplestiltskin fairy tale, where Garry describes `helping' Laura in his own serial killing way as `turning straw into gold', and his rationale for kidnapping Josh is because he is her `first born' and she is being punished for not valuing what he has done. This is all fine though when Laura guesses Garry's name, as in the tale, it doesn't have any impact, though the conclusion's use of a wheat cutter is a nice touch. An expectation that Garry will be burned to death, the way he had burned his wife and child (though he claims the child's presence was an unintentional) isn't met, though fire in the Attica riot are what helps to free him. Garry's state of mind is interesting in the way he drops the gun after he shoots one person and walks away, and in the way he doesn't clean a bloodied carpet stain in his room, with Harrison's playing making his weakness at `madness' effective in a child-like way.
Director Bill L Norton uses zooms on Seymour when she sees Josh falls down a well in a nightmare and nearly fall in real time, Willie Nelson singing Someone To Watch Over Me in the romantic dinner, but titled camera towards the end for Garry's lunacy and Laura's anguish.
- petershelleyau
- 2 mars 2003
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