La réussite d'un couple en surface équilibré - mais qui ne baisent plus. Un ancien copain de fac du mari débarque, du genre fragile (il s'annonce impuissant). Sa monomanie : interviewer gent... Tout lireLa réussite d'un couple en surface équilibré - mais qui ne baisent plus. Un ancien copain de fac du mari débarque, du genre fragile (il s'annonce impuissant). Sa monomanie : interviewer gentiment les femmes - où et comment elles se masturbent par exemple. [255]La réussite d'un couple en surface équilibré - mais qui ne baisent plus. Un ancien copain de fac du mari débarque, du genre fragile (il s'annonce impuissant). Sa monomanie : interviewer gentiment les femmes - où et comment elles se masturbent par exemple. [255]
- Nommé pour 1 Oscar
- 15 victoires et 24 nominations au total
Histoire
Le saviez-vous
- AnecdotesThe film was playing in Berlin's largest movie theaters when the Berlin Wall fell. A lot of East Germans crossing over to West Berlin went to see it, expecting Western-style porn.
- GaffesWhen Graham is interviewing Ann, Ann sets the camera down on the arm of the chair pointing at the window away from the couch. When Graham gets up to turn it off, it is pointing at the couch.
- Crédits fousThis film is dedicated to Ann Dollard 1956-1988
Commentaire à la une
"sex, lies and videotape" is a low-key drama that REALLY showcases Stephen Soderbergh's true talents. The film was made on a modest budget and is mainly dialogue-driven, yet I was deeply fascinated from start to finish. This is another film that sends out a message to all aspiring directors: You don't need a large budget to make a truly great motion picture! Soderbergh hasn't received worldwide fame until recently with the hit "Traffic." As much as I loved "Traffic" I urge everyone--who's curious of Soderbergh's work--go check out this initial effort.
The element that impressed me the most was the succint, yet brutally realistic dialogue. I've never been more impressed with a film's dialogue and actually screamed out, "Now THAT'S how people talk!" The interactions between each character are so intense and down to earth, and gets the audience deeply engaged. James Spader shines in this career-making performance as a documentary filmmaker who gets his rocks off filming women talking about sex. We never know why he developed this unusual interest, but that's what's so great. And the way Spader carries his character is so subtle and powerful. His character is quiet and mysterious, and he expresses this enigmatic role perfectly with every silence, every facial gesture, every tone of voice. That's another element that I loved. Soderbergh expresses to his audience that people don't always mean what they say. And you can tell by every hint of body language. During these character interplays, you get a feel for what the characters are really thinking with their every subtle nuance. And that's what creates most of the film's tension.
And of course, the film has great depth and treats its subject with the greatest of maturity. In one scene, Spader interviews this young woman who talks about her first experience with masturbation. That could've easily been transformed into something gratuitous and heavy-handed. The subjects of sex and infidelity are treated with a sense of reality, and I'm sure many couples who are involved in relationships where one of the mates are cheating will find the whole situation with Andie McDowell and Peter Gallagher haunting. Everything is low-key and some might find the rhythm slow-moving, but that's what I liked about it. It slowly unfolds and takes its time developing the characters and their situations. Many filmmakers would've taken the subject of infidelity and made it into a melodramatic soap. But Soderbergh is very patient. He never once thinks, "Maybe the audience is not interested anymore," and speeds things up. He goes at his own pace, and works with it consistently.
I don't know if others will get the same effect I did out of this movie, but appreciate a film that respects its characters and respects its dialogue. Sure, I also appreciate a film with massive entertainment value, but other times I'd rather watch something with depth and realism. This is one of those films that just has a subtle energy. Looking at "sex, lies and videotape" from the outside, it's hard to explain the power of Soderbergh's masterpiece. All I say is go see for yourself! I hope you'll be just as astounded.
My score: 10 (out of 10)
The element that impressed me the most was the succint, yet brutally realistic dialogue. I've never been more impressed with a film's dialogue and actually screamed out, "Now THAT'S how people talk!" The interactions between each character are so intense and down to earth, and gets the audience deeply engaged. James Spader shines in this career-making performance as a documentary filmmaker who gets his rocks off filming women talking about sex. We never know why he developed this unusual interest, but that's what's so great. And the way Spader carries his character is so subtle and powerful. His character is quiet and mysterious, and he expresses this enigmatic role perfectly with every silence, every facial gesture, every tone of voice. That's another element that I loved. Soderbergh expresses to his audience that people don't always mean what they say. And you can tell by every hint of body language. During these character interplays, you get a feel for what the characters are really thinking with their every subtle nuance. And that's what creates most of the film's tension.
And of course, the film has great depth and treats its subject with the greatest of maturity. In one scene, Spader interviews this young woman who talks about her first experience with masturbation. That could've easily been transformed into something gratuitous and heavy-handed. The subjects of sex and infidelity are treated with a sense of reality, and I'm sure many couples who are involved in relationships where one of the mates are cheating will find the whole situation with Andie McDowell and Peter Gallagher haunting. Everything is low-key and some might find the rhythm slow-moving, but that's what I liked about it. It slowly unfolds and takes its time developing the characters and their situations. Many filmmakers would've taken the subject of infidelity and made it into a melodramatic soap. But Soderbergh is very patient. He never once thinks, "Maybe the audience is not interested anymore," and speeds things up. He goes at his own pace, and works with it consistently.
I don't know if others will get the same effect I did out of this movie, but appreciate a film that respects its characters and respects its dialogue. Sure, I also appreciate a film with massive entertainment value, but other times I'd rather watch something with depth and realism. This is one of those films that just has a subtle energy. Looking at "sex, lies and videotape" from the outside, it's hard to explain the power of Soderbergh's masterpiece. All I say is go see for yourself! I hope you'll be just as astounded.
My score: 10 (out of 10)
- mattymatt4ever
- 16 juil. 2001
- Permalien
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- How long is Sex, Lies, and Videotape?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Sexe, mensonges et vidéo
- Lieux de tournage
- Baton Rouge, Louisiane, États-Unis(main location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 200 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 24 741 667 $US
- Week-end de sortie aux États-Unis et au Canada
- 155 982 $US
- 6 août 1989
- Montant brut mondial
- 24 742 453 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What was the official certification given to Sexe, mensonges & vidéo (1989) in Japan?
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