L'arme totale

Titre original : L.A. Bounty

1989
R
1h 25min

NOTE IMDb

MA NOTE

Sybil Danning and Wings Hauser in L'arme totale (1989)

Ajouter une intrigue dans votre langueA tough female ex-cop-turned-bounty hunter goes after the gang of a crazed killer who murdered her partner.A tough female ex-cop-turned-bounty hunter goes after the gang of a crazed killer who murdered her partner.A tough female ex-cop-turned-bounty hunter goes after the gang of a crazed killer who murdered her partner.

Réalisation
- Worth Keeter
Scénario
- Sybil Danning
- Michael W. Leighton
Casting principal

Voir les informations de production sur IMDbPro

NOTE IMDb

4,8/10

479

MA NOTE

Réalisation
- Worth Keeter
Scénario
- Sybil Danning
- Michael W. Leighton
Casting principal

Voir les informations de production sur IMDbPro

Photos

Histoire

Modifier

Le saviez-vous

Modifier

Anecdotes
Sybil Danning's character speaks a total of 31 words during the film's 85-minute running time.

Gaffes
When Ruger shoots from behind the forklift in the warehouse, her gun is aimed at an upward angle, yet the bullets are shown striking at a level angle.

Citations
[forces a victim into a crate at gunpoint]
Cavanaugh: Hard to breathe?
[shoots the crate full of holes]

Connexions
Featured in Los Angeles Plays Itself (2003)

Avis des utilisateurs8

Commenter

Commentaire à la une

Listless action pic with B-stars of the '80s

My review was written in May 1989 after a Cannes Film Festival Market screening.

Sybil Danning executes something of a self-parody in the lame action vehicle "L. A. Bounty", a minor title for video usage.

Also co-producing and providing the weak storyline, Danning portrays a macha bounty hunter patterned after Clint Eastwood's Man with No Name, including his trademark mannerisms and cheroots. There the resemblance ends.

She's after nemesis Wings Hauser, a wigged-out artist and drug kingpin with a price on his head. Hauser has mayoral candidate Robert Hanley kidnapped and Danning is one step ahead of the police in trying to free him and put away Hauser for good.

Director Worth Keeter includes a lot of filler in this uninvolving opus. Hauser is allowed to ham it up preposterously while Danning, unflatteringly photographed, merely looks sullen.

Best technical credit is the often rousing musical score by Howard Leese and Sterling, which fails to disguise how listless the action scenes are.