Track 29

1988
R
1h 31min

NOTE IMDb

5,8/10

2,6 k

MA NOTE

Gary Oldman and Theresa Russell in Track 29 (1988)

Lire trailer1:36

1 Video

24 photos

Cozy Mystery Psychological Drama Drama Mystery

Ajouter une intrigue dans votre langueLinda is still tormented by giving up a baby for adoption at 15. She wants a baby, but her husband has enough in his model trains, mistress and being a doctor.Linda is still tormented by giving up a baby for adoption at 15. She wants a baby, but her husband has enough in his model trains, mistress and being a doctor.Linda is still tormented by giving up a baby for adoption at 15. She wants a baby, but her husband has enough in his model trains, mistress and being a doctor.

Voir les informations de production sur IMDbPro

NOTE IMDb

5,8/10

2,6 k

MA NOTE

Voir les informations de production sur IMDbPro

Récompenses
- 1 victoire et 2 nominations au total

Vidéos1

Trailer 1:36

Track 29

Photos24

+ 17

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Manipulations

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Anecdotes
After screening the dailies of Gary Oldman screaming at the beginning of the film, projectionist Herbert Gambill suggested to the producer they use the John Lennon song "Mother" to accompany the scene, as both the scene and the song suggested primal scream therapy. The editors added it as temporary music and it wound up in the released film.

Gaffes
After being confronted by Martin (Gary Oldman) during her attempted (pseudo)-suicide by drowning herself in the pool, Linda Henry (Theresa Russell) exits the pool for the very first and only-ever time and there is plainly seen a trail of dripping water leading from where she is exiting the pool over to where she is retrieving her towel, clearly left over from a previous take of the same sequence just moments before.

Citations
Henry Henry: If there's one thing I've learned in this world, it's that women and trains don't mix!

Connexions
Featured in Siskel & Ebert & the Movies: Alien Nation/Elvira: Mistress of the Dark/Imagine: John Lennon/Salaam Bombay/Track 29 (1988)

Bandes originales
M.O.T.H.E.R.
By Theodore Morse and Fiske O'Hara
© 1915 Leo Feist Inc.
Used by Permission of Ascherberg, Hopwood & Crew Ltd.
Lyrics by Howard Johnson (uncredited)
Performed by Gary Oldman (uncredited)

Avis des utilisateurs23

Commenter

Commentaire à la une

6/10

Difficult but appealing film..

The plot is wacky enough to promise a great film: a repressed alcoholic middle-class housewife with incestuous tendencies, married to a doctor with infantilism tendencies, encounters a young English guy who turns out to be her lost son (fruit of a teenage rape, whom she had to give for adoption). But it's not clear what's real & what's not. Freud would be proud.

The bad thing is seeing how generic Hollywood-ian Nicolas Roeg's direction has become. There really is very little here that reminds of "Don't Look Now" or "Bad Timing". Not that it's not worth watching. The spanking sequence is hilariously disturbing, the film has the feel of a hysterically surreal 80's soap opera, and the interplay between past, present, reality & fantasy is sometimes inspired.

In fact David Lynch ended up copying lots of stuff from here, particularly on "Twin Peaks" and "Lost Highway". Notice for example the demonic rape scene, or the merging of the truck driver and lost son characters.