L'oeil du témoin

Titre original : Eyewitness

1981
R
1h 43min

NOTE IMDb

5,9/10

6 k

MA NOTE

Sigourney Weaver and William Hurt in L'oeil du témoin (1981)

Lire trailer2:01

1 Video

70 photos

Crime Drama Mystery Romance Thriller

Un concierge qui prétend avoir été témoin d'un meurtre entretient une relation amoureuse avec la journaliste de télévision qui couvre l'affaire.Un concierge qui prétend avoir été témoin d'un meurtre entretient une relation amoureuse avec la journaliste de télévision qui couvre l'affaire.Un concierge qui prétend avoir été témoin d'un meurtre entretient une relation amoureuse avec la journaliste de télévision qui couvre l'affaire.

Voir les informations de production sur IMDbPro

NOTE IMDb

5,9/10

6 k

MA NOTE

Voir les informations de production sur IMDbPro

Vidéos1

Trailer 2:01

Eyewitness

Photos69

+ 64

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Histoire

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Anecdotes
Sigourney Weaver's character was based on an object of infatuation that Steve Tesich had with a Washington, D.C. anchorwoman. He recorded her broadcasts and had pictures of her like William Hurt's character had in the film of Weaver. The actual anchorwoman was brought in by Peter Yates for technical support to make Weaver's character more believable.

Gaffes
There is a security camera very obviously placed in the outer office outside of where the murder takes place, yet during the investigation no mention is made of it.

However, perhaps (circa 1981) it's a closed-circuit, live feed only (no recordings made), and no one viewing the live security screens noticed anything unusual.

Citations
Lt. Jacobs: When he was a kid, Aldo must have wanted to be a suspect when he grew up.

Versions alternatives
Runs 93 minutes long on Capacitance Electronic Disc (CED), also commonly known RCA Selectavision Videodisc.

Connexions
Featured in Sneak Previews: Eyewitness/Tess/The Competition/The Dogs of War (1981)

Bandes originales
Piano trio no. 1 in D minor, op. 49: ii. Andante con moto tranquillo
Written by Felix Mendelssohn
[Performed at the Sokolows' house concert]

Avis des utilisateurs50

Commentaire à la une

structure

For weeks I have been looking for the perfect structure of a screenplay. This film had me in the first ten minutes because of what it set itself up to be. The structure had the camera following one principle lead, going off to meet the other principle lead, who would subsequently go off to meet the character from which the major plot developed. "Eyewitness" is a great film which showed me what I have been missing throughout my entire movie-watching career. After you meet the principle characters through following them, some kind of sub-plot, or major plot, or principle theme, will develop, and it will truly free up the entire movie. This is basically the structure of almost every independent film I have seen. Not to be missed.