Un fugitif se cache sur un plateau de tournage au moment même où la production recherche un nouveau cascadeur. Il endosse le rôle et tombe amoureux de l'actrice principale.Un fugitif se cache sur un plateau de tournage au moment même où la production recherche un nouveau cascadeur. Il endosse le rôle et tombe amoureux de l'actrice principale.Un fugitif se cache sur un plateau de tournage au moment même où la production recherche un nouveau cascadeur. Il endosse le rôle et tombe amoureux de l'actrice principale.
- Nommé pour 3 Oscars
- 4 victoires et 11 nominations au total
- Sam
- (as Allen Goorwitz)
- Garage Guard
- (as John B. Pearce)
Histoire
Le saviez-vous
- AnecdotesDirector Richard Rush has said of this movie in a 2001 interview with Paul Hupfield: "I was lecturing at a university film school to a bunch of potential film students and asked them if any of them had seen my films. I started with Color of Night (1994), and I'd say about 80 hands went up out of a room of about 200 kids. Then I asked if anyone had seen Le diable en boîte (1980), the film I actually wanted to talk to them about, and only two hands went up. Two hands in a room of 200! I thought, 'Oh boy, my film is totally lost on this generation...'"
- GaffesThe car used in the main "driving off the bridge" scene is consistently described as a Duesenberg, but it has the well-known Mercedes-Benz hood ornament.
- Citations
Eli Cross: [after a cameraman says cut because there's only 22 seconds of film left] In 22 seconds, I could break your fucking spine. In 22 seconds, I could pinch your head off like a fucking insect and spin it all over the fucking pavement. In 22 seconds, I could put 22 bullets inside your ridiculous gut. What I seem unable to do in 22 seconds is to keep you from fucking up my film!
- Crédits fousAfter the credits end, the movie-within-a-movie director (played by Peter O'Toole) yells, "Sam, rewrite the opening reel! Crush the little bastard in the first act!" And then he laughs during the fade-out.
Peter O'Toole is so swell in it. I love that enigmatic character, movie director Eli Cross! Like the movie (and O'Toole, for that matter), he's so hard to cubbyhole. You like him, but you don't trust him. Like Cameron/Lucky (Steve Railsback's escaped convict character) does, you NEED to know exactly where his motives lie ... all in good time. You know Cross'll do whatever's necessary to get "the shot", but he's still got a conscience ... right? Would Cameron have been better off (read safer) just staying in jail ... hmmm?
All the action in the film circles around this question and while the viewer (and Cameron) decide what to make of Eli, it's a fun trip through the world of filmmaking (how realistic a trip, I've no idea). Great performances by O'Toole and Railsback, along with Barbara Hershey, Allen Garfield, Alex Rocco and Sharon Ferrell add so much to the suspense.
See this movie. You can feel how much fun it was for the cast to make. Look at Eli's devilish grin as he tries to soothe Lucky's worries. Try to imagine how many other movies have you sympathizing for an escaped convict. And don't worry if you don't know what to make of mad genius filmmaker Eli Cross because nobody else does either, and if they do, they ain't talkin' ... that might spoil the movie!
- youremythrill
- 29 mars 2001
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Détails
Box-office
- Budget
- 3 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 7 063 886 $US
- Montant brut mondial
- 7 063 886 $US
- Durée2 heures 11 minutes
- Mixage
- Rapport de forme
- 1.85 : 1