La vie du boxeur Jake LaMotta, que la violence et le caractère sanguin auront conduit au sommet du ring tout en détruisant sa vie en dehors de celui-ci.La vie du boxeur Jake LaMotta, que la violence et le caractère sanguin auront conduit au sommet du ring tout en détruisant sa vie en dehors de celui-ci.La vie du boxeur Jake LaMotta, que la violence et le caractère sanguin auront conduit au sommet du ring tout en détruisant sa vie en dehors de celui-ci.
- Récompensé par 2 Oscars
- 24 victoires et 28 nominations au total
What Scorsese Film Ranks Highest on IMDb?
What Scorsese Film Ranks Highest on IMDb?
Cinema legend Martin Scorsese has directed some of the most acclaimed films of all time. See how IMDb users rank all of his feature films as director.
Histoire
Le saviez-vous
- AnecdotesWhen the real Jake LaMotta saw the movie, he said it made him break down in tears and realize for the first time what a terrible person he had been. He asked the real Vicki LaMotta "Was I really like that?". Vicki replied "You were worse."
- GaffesWhen Jake follows Joey into the parking garage, hip-hop-style graffiti is visible outside it.
- Citations
[last lines]
Jake La Motta: Go get 'em, champ.
[he begins shadowboxing]
Jake La Motta: I'm da boss, I'm da boss, I'm da boss, I'm da boss, I'm da boss... I'm da boss, I'm da boss, I'm da boss, I'm da boss, I'm da boss, I'm da boss.
- Crédits fousThe film is in black and white, but during the opening credits, the title is in red letters.
- Versions alternativesCBS edited 8 minutes from this film for its 1986 network television premiere.
- ConnexionsEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
- Bandes originalesCavalleria rusticana: Intermezzo
Music by Pietro Mascagni
Performed by Orchestra del Teatro Comunale di Bologna (as Orchestra of Bologna Municop Thetra)
Conducted by Arturo Basile
Courtesy of RCA, S.P.A.
Commentaire à la une
The story of boxer Jake La Motta from his rising star in the 1940's through to his own downfall and his eventual living on the cabaret circuit in the present day.
Scorsese and De Niro nobody needs say any more. Whether it be media satire (King of Comedy), small time thugs (Mean Streets) or real gangsta s**t (Goodfellas), the two rarely miss. This was one of their best to date (and probably for ever). The story is fascinating in itself but as an examination of masculinity it excels. The film allows us to watch a man who goes along with all the things he thinks make him a man even when those characteristics and habits begin to destroy everything he has his marriage, his realtionships and his career. Combine this with the gripping boxing tale of ups and downs and you have a film that never outstays it's welcome.
Scorsese is on top form the use of black and white any have been a quality issue, but he uses it well. The fight scenes are other worldly exaggerated to the extent that it is breathtaking and more shocking than previous boxing scenes in other movies. My favourite effect is the sound editing in the fights where silence and calm seem to descend just before key moments ..amazing. The relationship stuff is also gripping and Scorsese handles he human cost just as well as he shows us the physical beatings.
De Niro is amazing the method stuff alone is great, but his whole performance is intense. Similarly Moriaty, Pesci and Frank Vincent are excellent however they all stand in De Niro's shadow.
Overall an excellent film on so many levels, as a story, as a examination of masculinity, as a sports film, as a lesson in direction and editing ..this excels in so many ways may it never drop out of the top ten from the twentieth century!
Scorsese and De Niro nobody needs say any more. Whether it be media satire (King of Comedy), small time thugs (Mean Streets) or real gangsta s**t (Goodfellas), the two rarely miss. This was one of their best to date (and probably for ever). The story is fascinating in itself but as an examination of masculinity it excels. The film allows us to watch a man who goes along with all the things he thinks make him a man even when those characteristics and habits begin to destroy everything he has his marriage, his realtionships and his career. Combine this with the gripping boxing tale of ups and downs and you have a film that never outstays it's welcome.
Scorsese is on top form the use of black and white any have been a quality issue, but he uses it well. The fight scenes are other worldly exaggerated to the extent that it is breathtaking and more shocking than previous boxing scenes in other movies. My favourite effect is the sound editing in the fights where silence and calm seem to descend just before key moments ..amazing. The relationship stuff is also gripping and Scorsese handles he human cost just as well as he shows us the physical beatings.
De Niro is amazing the method stuff alone is great, but his whole performance is intense. Similarly Moriaty, Pesci and Frank Vincent are excellent however they all stand in De Niro's shadow.
Overall an excellent film on so many levels, as a story, as a examination of masculinity, as a sports film, as a lesson in direction and editing ..this excels in so many ways may it never drop out of the top ten from the twentieth century!
- bob the moo
- 15 mars 2002
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El toro salvaje
- Lieux de tournage
- Hell's Kitchen, Manhattan, Ville de New York, New York, États-Unis(exteriors: Jake's neighborhood in the Bronx)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 23 383 987 $US
- Week-end de sortie aux États-Unis et au Canada
- 128 590 $US
- 16 nov. 1980
- Montant brut mondial
- 23 405 883 $US
- Durée2 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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