Un brouillard surnaturel apparaît dans une petite ville côtière exactement cent ans après le naufrage mystérieux d'un navire.Un brouillard surnaturel apparaît dans une petite ville côtière exactement cent ans après le naufrage mystérieux d'un navire.Un brouillard surnaturel apparaît dans une petite ville côtière exactement cent ans après le naufrage mystérieux d'un navire.
- Récompenses
- 1 victoire et 3 nominations au total
Nancy Kyes
- Sandy Fadel
- (as Nancy Loomis)
John F. Goff
- Al Williams
- (as John Goff)
John Vick
- Sheriff David Simms
- (as John Vic)
Jim Jacobus
- Mayor
- (as Jay Jacobs)
Histoire
Le saviez-vous
- AnecdotesAlthough this was essentially a low budget independent movie, John Carpenter chose to shoot the movie in anamorphic widescreen Panavision. This decision gave the movie a grander feel for the viewer so it didn't seem like a low budget horror movie.
- GaffesIn a few scenes, Dan the local weatherman is tracking the fog bank on his weather radar, and giving reports. Weather radars have never been able to detect fog. Today's most powerful state-of-the-art NEXRAD radars are sensitive enough to detect bugs, birds, and smoke plumes, but still not fog.
- Citations
[a tape recording of K-A-B promos has just slowed down]
Blake's Voice: Something that one lives with like an albatross round the neck. No, more like a millstone. A plumbing stone, by God! Damn them all!
Commentaire à la une
It's surprising that John Carpenter followed up Halloween with such a different tale of terror, but he did just that with 1980's The Fog. It's a urban legend-simple ghost story about a small coastal town celebrating its anniversary, forgetting that they only claimed the town because they murdered a shipful of lepers. The lepers are back and they want revenge.
The Fog has an excellent ensemble cast which is one of its strong suits and also, perhaps, one of its downfalls. There's really no major main character (even Adrienne Barbeau's Stevie Wayne - a radio DJ - disappears for large chunks of the film and never interacts with most of the other characters in the film). It's almost like if Robert Altman decided to make an ensemble horror film. Even more surprising is that Jamie Lee Curtis, Carpenter's star of Halloween, is in only about 15 to 20 minutes of the film and has no real character to speak of.
Dean Cundey's cinematography stuns and Carpenter's eerie synth score spooks, but one can't help feel that something is missing. It does lack that visceral thrill that made Halloween so special. The Fog seems content to just creep its audience out and not truly scare them. It's hard to complain, though, since The Fog does creepy better than just about any other film I can think of. It won't make you come back home and turn all the lights on before bed, but it still stays with you.
The Fog has an excellent ensemble cast which is one of its strong suits and also, perhaps, one of its downfalls. There's really no major main character (even Adrienne Barbeau's Stevie Wayne - a radio DJ - disappears for large chunks of the film and never interacts with most of the other characters in the film). It's almost like if Robert Altman decided to make an ensemble horror film. Even more surprising is that Jamie Lee Curtis, Carpenter's star of Halloween, is in only about 15 to 20 minutes of the film and has no real character to speak of.
Dean Cundey's cinematography stuns and Carpenter's eerie synth score spooks, but one can't help feel that something is missing. It does lack that visceral thrill that made Halloween so special. The Fog seems content to just creep its audience out and not truly scare them. It's hard to complain, though, since The Fog does creepy better than just about any other film I can think of. It won't make you come back home and turn all the lights on before bed, but it still stays with you.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 1 100 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 448 782 $US
- Week-end de sortie aux États-Unis et au Canada
- 39 565 $US
- 28 oct. 2018
- Montant brut mondial
- 21 448 830 $US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant