Ajouter une intrigue dans votre langueA television newswoman picks up the story of a 1960s rock band whose long-lost leader Eddie Wilson may still be alive, while searching for the missing tapes of the band's never-released albu... Tout lireA television newswoman picks up the story of a 1960s rock band whose long-lost leader Eddie Wilson may still be alive, while searching for the missing tapes of the band's never-released album.A television newswoman picks up the story of a 1960s rock band whose long-lost leader Eddie Wilson may still be alive, while searching for the missing tapes of the band's never-released album.
- Kenny Hopkins
- (as David Wilson)
Histoire
Le saviez-vous
- AnecdotesThe Palace of Depression was a real place in Vineland, New Jersey. A homeless drifter built it out of junk, sand and clay, then charged admission for visitors. Vandals destroyed the Palace after his death, but the original ticket booth still stands. Vineland is currently trying to rebuild the Palace of Depression.
- GaffesWhen Eddie and Joanne are shown driving into the Lincoln Tunnel, it is supposed to be 1964, yet a pictographic "steep grade" warning sign (a picture of a truck headed down a triangular shape) is seen mounted on the entrance to the tunnel. Pictographic warning signs were not in use on United States roads in 1964; rather a sign warning "Steep Grade" in text would have been posted.
- Citations
Eddie Wilson: [to the audience, a few days after Wendell Newton's death] The other day, I buried one of my best friends. He was the best sax player I ever heard. And they tell me I gotta come up here and entertain you people now. I don't think I'll be able to do that.
- ConnexionsEdited into Eddie & the Cruisers: On the Dark Side (1983)
- Bandes originalesOn the Dark Side
Written by John Cafferty (uncredited)
Performed by John Cafferty (lead vocal and guitar), Michael 'Tunes' Antunes (saxophone), Gary Gramolini (guitar), Robert Nicholas Cotoia (piano), Patrick Lupo (bass), Kenny Jo Silva (drums)
This was the inspiration for 2009's "The Perfect Age of Rock 'n' Roll" but both movies have their distinctions, as well as pros and cons. "Eddie" is about a band from the early 60s whereas "The Perfect Age" is about a Guns N' Roses-type band whose heyday was in the 80s. Each film starts out shaky as the story is set-up, but they progressively get better. Both films feature charismatic frontmen with diametrically opposed styles, but also very similar when you think about it. Each feature revealing chats amongst the characters with "Eddie" shining in the final act when it unveils Eddie's youthful place of solitude, Palace of Depression (which is an actual place in southern New Jersey, Vineland; a building made of junk built by the eccentric George Daynor, a former Alaskan gold miner who lost his fortune in the Crash of '29). Growing-up, my gang had several hidden spots where we'd meet, each with a name known only to us; I even had a personal "My Place" in the woods behind my parents house on a lake where I'd often go for private reflection. When I was 15 I planned to commit suicide there, but thankfully didn't go through with it. The movie gets points for including such an existential element.
Was Eddie still alive or did he die in 1964? The ending reveals the truth and the way it's done is superlative.
So which movie is better, "Eddie" or "The Perfect Age"? They both shoot for greatness and in some small ways attain it. Disregarding the rockin' performances, "Eddie" is more location-bound and therefore dramatically sedentary whereas "The Perfect Age" is a road movie in disguise and therefore seemingly more eventful. In my opinion the music's better in the latter, but then I prefer the heavier side of rock/metal over the Bruce-Springsteen-in-the-early 60s style of "Eddie" (which is good for what it is, don't get me wrong). "Eddie" stands out for including the Palace of Depression angle and contains superb lines in the final act, but "The Perfect Age" soars in its own way, like Spyder & Eric's brouhaha in the rain and the blues bar sequence (featuring cameos by legends Sugar Blue, Pinetop Perkins, Hubert Sumlin, Willie "Big Eyes" Smith and Bob Stroger). Then there's the powerful climatic scene in "Perfect Age" at Spyder's ritzy mansion with Jane's Addiction's "Three Days" playing in the background, which just so happens to rank with the all-time best cinematic scenes utilizing rock songs, like the close of 1998's "Buffalo '66" with Yes' incredible "Heart of the Sunrise."
The songs by the fictitious Eddie and the Cruisers were composed/performed by John Cafferty and the Beaver Brown Band. The main song, "On the Dark Side," became a #1 hit for the band and "Tender Years" was a minor one. Most of the cast weren't musicians, although Matthew Laurance (Sal) learned how to play bass for the movie. Only Michael "Tunes" Antunes, the sax player for the Beaver Brown Band, and Helen Schneider (Joann) were professional musicians.
Speaking of whom, I can't close without mentioning how Helen really shines here. No, she's no Meryl Streep, but she's great for her role in "Eddie." You could say she's The Perfect Rage of Rock 'n' Roll (sorry, that was just DUMB). I should also add that it's interesting to see Berenger, Barkin and Paré when they were so young.
The film runs 95 minutes and was shot entirely in New Jersey with the exception of the college sequence, which was filmed just across the Pennsylvania border at Haverford College.
GRADE: B+
Meilleurs choix
- How long is Eddie and the Cruisers?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 4 786 789 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 444 886 $US
- 25 sept. 1983
- Montant brut mondial
- 4 786 789 $US
- Durée1 heure 35 minutes
- Mixage
- Rapport de forme
- 1.85 : 1