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Ajouter une intrigue dans votre langueA dramatization of the missions and adventures of the greatest spy in British history.A dramatization of the missions and adventures of the greatest spy in British history.A dramatization of the missions and adventures of the greatest spy in British history.
- Nommé pour 1 Primetime Emmy
- 1 victoire et 9 nominations au total
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Histoire
Le saviez-vous
- AnecdotesIn 1895, Sidney Reilly had an affair with Ethel Lillian Voynich, a married Russian author. In 1897, Voynich wrote a popular novel, "The Gadfly". It was rumored that the adventurous hero of the novel was based on Reilly. In 1956, the novel was made into a movie, and Dmitri Shostakovich was commissioned to compose the music. The same music, "The Gadfly-Romance", is heard as the theme to this show.
- GaffesNadia Massino did not marry Alfred Nobel - he died a bachelor in 1896 and according to the series, Reilly met her in the 20th century. Feliz Dzerzhinsky never met Reilly, and did not carry out the interrogation or execution. Reilly also was not connected with the forged letter that toppled the British government.
- Citations
Mrs. Fried: Live for the present, die for the future.
- ConnexionsFeatured in The 36th Annual Primetime Emmy Awards (1984)
- Bandes originalesRomance
from "The Gadfly"
Written by Dmitri Shostakovich
Theme music of the miniseries (opening and closing credits)
Commentaire à la une
I fortuitously got turned onto Reilly courtesy of a television review in the Toronto Star, to which I am eternally grateful. I might have missed it otherwise. Reilly was a terrific series. Heavily romanticized and perhaps not quite factually accurate to be sure, but an absolute, rewarding joy nonetheless. The original PBS broadcast of "Mystery" was embellished by the intros and epilogues rendered eloquently by the late great Vincent Price, whose narrative provides a valuable context. Shostakovitch's score sets the tone---romantic, redolent of a bygone era. The series was my introduction to Sam Neill, whose facial image---hard-eyed, with that ruthless slash of a mouth---prefaces the credits. Wonderful set and costume design. Good supporting cast, particularly the wonderful Leo McKern. Terrific script by Troy Kennedy Martin. This inspired me to see out paperbacks on Reilly. A worthwhile addition to anyone's television collection, to stand alongside Patrick McGoohan's The Prisoner.
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