Ajouter une intrigue dans votre langueAn insane couple take over the operation of an old jail and seek out young women who they believe have escaped justice. A beautiful young French model becomes their latest victim and must at... Tout lireAn insane couple take over the operation of an old jail and seek out young women who they believe have escaped justice. A beautiful young French model becomes their latest victim and must attempt escape or face an almost certain death.An insane couple take over the operation of an old jail and seek out young women who they believe have escaped justice. A beautiful young French model becomes their latest victim and must attempt escape or face an almost certain death.
Karan David
- Karen
- (as Karen David)
Histoire
Le saviez-vous
- AnecdotesSheila Keith was primarily a comedy actress, but Pete Walker chose to cast her against type as the sadistic warden Walker (named after himself). This is because he feels that comedy actors make the best villains. Penny Irving likewise played against type - as she mostly appeared in sex comedies such as Carry on Dick and Are You Being Served.
- GaffesWhen Karen is hanged, it appears she has been executed by the "long drop" method in which the victim is allowed to fall several feet in order to break her neck. This is apparent in the way Karen's body disappears entirely from the frame when the trap door is sprung. Having matron Walker weigh Karen beforehand is consistent with the procedure for long drop hangings so that the executioner can calculate the slack needed to ensure a quick death without decapitating the victim. However, the rope we see attached to the gallows is far too short for a long drop hanging. It has hardly any slack at all and would have resulted in a "short drop hanging" in which the victim would have fallen less than a foot and remained completely in view at almost the same level as her executioners while she slowly strangled. The absence of slack in the rope had already been confirmed when Mrs. Wakehurst inspected the gallows the day before and tugged on the rope. If there had been more rope above the frame than we could see on screen, Wakehurst would have released it when she pulled. The rope was clearly only as long as it appeared to be with the knot at about the level of Wakehurst's chin. In short, it is physically impossible for the gallows rig shown to produce the effect displayed in the film where the rope grew several feet in between edits.
- Crédits fousOpening credits prologue: "This film is dedicated to those who are disturbed by today's lax moral codes and who eagerly await the return of corporal and capital punishment . . . ."
- Versions alternativesThere have been many discrepancies about the 1999 DVD release of this title by Image Entertainment:
- ConnexionsFeatured in 42nd Street Forever! Volume 1: Horror on 42nd Street (2004)
- Bandes originalesTokoloshe Man
(uncredited)
Written by John Kongos
Performed by John Kongos
[played in the truckers' cafe when Jack recognises the newspaper model girl he gave a lift to]
Commentaire à la une
If I had to use a single word to describe this film, that word would likely be "grim". Most of these "women in prison" type movies are kind of a fun time and a guilty pleasure, if you know what I mean. This one's different and actually manages to leave a bit of a depressive feeling in me, not because of extreme physical content or anything (there isn't much of that compared with some other entries in this dubious genre), but because of its sheer, unrelenting drabness and hopelessness.
And you know, this is a very British film. It's not Jesus Franco and the point isn't to titillate with heaps of female flesh on display. This is the country that gave us Mary Whitehouse and plenty of other questionable "moral guardians", and it's that culture that's reflected here. The way it starts with a dedication to those who "eagerly await the return of corporal and capital punishment" is engenious. Remember all those old movies, the ones about drugs and delinquent youths, for instance, that really turned out to be exploitation? you could get away with a fair bit by claiming that your film was really an educational experience, and if there were some snickers in the audience, they were probably from the sort of louts the thing was intended for in the first place, and they'd learn the truth of the message, oh yes they would! Here we have a movie pushing the boundaries of good taste and revealing the corruption and evil of so-called "moral guardians", while at the same time, it might also be possible to read it as a condemnation of moral lassitude. Ok, so it's clear what side director Pete Walker falls on, I think, and this is doubly true if you've seen the somewhat-more-fun "House of Mortal Sin". But still, the question is there, and it creates an interesting dichotomy within the viewing experience.
It's also a fact that our model character, Anne-Marie, is desperately cute. Maybe she's not all too bright sometimes, and that accent the very-not-french-sounding Penny irving is putting on is hilarious, but you hate to see bad things happen to her and really want her to be ok. The thing that gets her into trouble is so small and harmless, and the punishment so absurdly severe, one can't help but rail at the total injustice. it's all terribly severe, cold, and, like I said, grim. That woman who runs the joint is utterly terrifying in her implacable, self-righteous severity and evil.
So yeah. If you want to have fun, watch "The Big Bird Cage", I guess. But if the idea of a somewhat "different" WIP film; one with something to say and a serious demeanour, give this a try.
And you know, this is a very British film. It's not Jesus Franco and the point isn't to titillate with heaps of female flesh on display. This is the country that gave us Mary Whitehouse and plenty of other questionable "moral guardians", and it's that culture that's reflected here. The way it starts with a dedication to those who "eagerly await the return of corporal and capital punishment" is engenious. Remember all those old movies, the ones about drugs and delinquent youths, for instance, that really turned out to be exploitation? you could get away with a fair bit by claiming that your film was really an educational experience, and if there were some snickers in the audience, they were probably from the sort of louts the thing was intended for in the first place, and they'd learn the truth of the message, oh yes they would! Here we have a movie pushing the boundaries of good taste and revealing the corruption and evil of so-called "moral guardians", while at the same time, it might also be possible to read it as a condemnation of moral lassitude. Ok, so it's clear what side director Pete Walker falls on, I think, and this is doubly true if you've seen the somewhat-more-fun "House of Mortal Sin". But still, the question is there, and it creates an interesting dichotomy within the viewing experience.
It's also a fact that our model character, Anne-Marie, is desperately cute. Maybe she's not all too bright sometimes, and that accent the very-not-french-sounding Penny irving is putting on is hilarious, but you hate to see bad things happen to her and really want her to be ok. The thing that gets her into trouble is so small and harmless, and the punishment so absurdly severe, one can't help but rail at the total injustice. it's all terribly severe, cold, and, like I said, grim. That woman who runs the joint is utterly terrifying in her implacable, self-righteous severity and evil.
So yeah. If you want to have fun, watch "The Big Bird Cage", I guess. But if the idea of a somewhat "different" WIP film; one with something to say and a serious demeanour, give this a try.
- crystallogic
- 12 janv. 2018
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Stag Model Slaughter
- Lieux de tournage
- Littledean Jail, Forest of Dean, Gloucestershire, Angleterre, Royaume-Uni(House of Correction- interiors and exterior)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 42 minutes
- Mixage
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