Une femme clairvoyante découvre un squelette dans le mur de la maison de son mari et cherche la vérité sur ce qui est arrivé à la victime.Une femme clairvoyante découvre un squelette dans le mur de la maison de son mari et cherche la vérité sur ce qui est arrivé à la victime.Une femme clairvoyante découvre un squelette dans le mur de la maison de son mari et cherche la vérité sur ce qui est arrivé à la victime.
Ida Galli
- Gloria Ducci
- (as Evelyn Stewart)
Franco Angrisano
- First Cab Driver
- (as Francesco Angrisano)
Histoire
Le saviez-vous
- AnecdotesUnusually for an Italian film of the time, all the actors spoke their dialogue in English regardless of nationality, instead of being overdubbed in the English soundtrack. The Italian track however is dubbed by other actors voicing the characters, even the film's Italian actors.
- GaffesThe opening sequence set in Dover England, and Florence Italy at the exact same time show the time set as 11:45. Continental Europe is one hour ahead of the British Isles time zone in which the time in Florence should read 12:45, but it could be 'local' times for both.
- Citations
Gloria Ducci: I've had fifty-six lovers and haven't killed even one of them.
- ConnexionsFeatured in 42nd Street Forever, Volume 4: Cooled by Refrigeration (2009)
- Bandes originalesWith You
Written by Ernest - Franco Bixio (as Bixio) - Fabio Frizzi (as Frizzi) - Vince Tempera (as Tempera)
Recorded on Cinevox Record by Linda Lee
Commentaire à la une
Lucio Fulci is best known for his surreal and graphically gory horror movies of the early 80s {i.e.Zombie,The Beyond} but some of his most interesting work was made before. This film,which deserves to be far better known,is a case in point. It's an extremely suspenseful thriller with borderline horror elements,a bit reminiscent of Don't Look Now and quite possibly an influence on several films since such as The Vanishing. Fans of Kill Bill will recognise one of the pieces of music used.
Opening with a graphic but very unconvincing scene of a suicide off a cliff,the head bashing on the rocks,the film does not continue that way,but becomes a slow but intriguing supernatural mystery,with the suspense gradually building and Fulci showing himself quite capable of handling a relatively complex plot. Camera work,music and Jennifer O'Neill's stunning performance are all so good that the relative lack of actual action does not matter too much. Nevertheless, Fulci really proves himself with a really exciting and suspenseful scene near the end where O'Neill is pursued by the killer,and there is clever and evocative use of props throughout.
Interestingly,where most Italian films like this are dubbed by different actors,this one looks like it was dubbed by most of the actual cast,and unfortunately a couple of major plot revelations are hard to make out! However,this is a solid little thriller that ,while not quite on the level of,say Fulci's A Lizard In A Woman's Skin,really deserves to be seen if you think Fulci can only do gore.
Opening with a graphic but very unconvincing scene of a suicide off a cliff,the head bashing on the rocks,the film does not continue that way,but becomes a slow but intriguing supernatural mystery,with the suspense gradually building and Fulci showing himself quite capable of handling a relatively complex plot. Camera work,music and Jennifer O'Neill's stunning performance are all so good that the relative lack of actual action does not matter too much. Nevertheless, Fulci really proves himself with a really exciting and suspenseful scene near the end where O'Neill is pursued by the killer,and there is clever and evocative use of props throughout.
Interestingly,where most Italian films like this are dubbed by different actors,this one looks like it was dubbed by most of the actual cast,and unfortunately a couple of major plot revelations are hard to make out! However,this is a solid little thriller that ,while not quite on the level of,say Fulci's A Lizard In A Woman's Skin,really deserves to be seen if you think Fulci can only do gore.
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