NOTE IMDb
6,8/10
25 k
MA NOTE
Une escroc du psychisme et son petit ami chauffeur de taxi et enquêteur privé rencontrent deux kidnappeurs en série alors qu'ils suivent un héritier disparu en Californie.Une escroc du psychisme et son petit ami chauffeur de taxi et enquêteur privé rencontrent deux kidnappeurs en série alors qu'ils suivent un héritier disparu en Californie.Une escroc du psychisme et son petit ami chauffeur de taxi et enquêteur privé rencontrent deux kidnappeurs en série alors qu'ils suivent un héritier disparu en Californie.
- Récompenses
- 2 victoires et 6 nominations au total
Elisabeth Brooks
- Woman in Cafe with Priest
- (non crédité)
Carl Byrd
- Lieutenant Peterson
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesAt one point during filming, Bruce Dern questioned Sir Alfred Hitchcock about why he was cast. Hitchcock replied, "Because Mr. Packinow wanted a million dollars, and Hitch doesn't pay a million dollars." It took Dern a while to realize that "Mr. Packinow" was Al Pacino.
- GaffesWhen the runaway car is careening down the mountain, George is almost strangled by Blanche as she hangs on to his tie while flailing around in the back of the car. George's tie is clearly loose around his neck in several shots. When he crashes and climbs out of the car, the tie knot is perfect.
- Crédits fousThe Universal logo does not appear anywhere on this film.
- ConnexionsFeatured in Marlene (1984)
Commentaire à la une
Family Plot differs from all the other Hitchcock films. It lacks suspense, for the most part, and it is not as funny as many of his films. Instead, it is just an amusing little yarn. I like the way the film starts with two separate plot lines which gradually merge. Even if it is not the most original thing in the world (especially since two of Family Plot's stars were main players in Robert Altman's Nashville), it still makes the film interesting. If anyone else had made this film, it probably would be more fondly received by the public, although I doubt anyone would still be watching it today.
The two characters with whom we begin the film, whom we would consider the heroes, are the best, and are played lovingly by Barbara Harris and Bruce Dern. She's a hack psychic milking old ladies out of pensions, and he's a cabbie who cannot find enough time both to drive his cab and participate in Harris' schemes. Although the characters aren't as well developed as those in numerous other Hitchcock ventures, they're entertaining.
The other couple, Karen Black and William Devane, fare less well. They're more crafty in their crimes, perpetrating large-scale kidnappings for enormous ransoms. Karen Black's character is very underdeveloped, hardly showing any depth. What character she does have is not entirely believable, since Karen Black seems too nice to play a hardcore criminal. William Devane is decent as the sinister mastermind, but the history provided to his character is far more brutal than is believable (he locked his adopted parents in their bedroom and set fire to their house).
I liked the idea of the small time crooks clashing with the professionals, and I liked the outcome of the film. All in all, it is decent and worth watching. It does not feel anything like a Hitchcock film, so I wouldn't expect anything like Vertigo or Rear Window when approaching this, his swan song. 7/10
The two characters with whom we begin the film, whom we would consider the heroes, are the best, and are played lovingly by Barbara Harris and Bruce Dern. She's a hack psychic milking old ladies out of pensions, and he's a cabbie who cannot find enough time both to drive his cab and participate in Harris' schemes. Although the characters aren't as well developed as those in numerous other Hitchcock ventures, they're entertaining.
The other couple, Karen Black and William Devane, fare less well. They're more crafty in their crimes, perpetrating large-scale kidnappings for enormous ransoms. Karen Black's character is very underdeveloped, hardly showing any depth. What character she does have is not entirely believable, since Karen Black seems too nice to play a hardcore criminal. William Devane is decent as the sinister mastermind, but the history provided to his character is far more brutal than is believable (he locked his adopted parents in their bedroom and set fire to their house).
I liked the idea of the small time crooks clashing with the professionals, and I liked the outcome of the film. All in all, it is decent and worth watching. It does not feel anything like a Hitchcock film, so I wouldn't expect anything like Vertigo or Rear Window when approaching this, his swan song. 7/10
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Family Plot
- Lieux de tournage
- Angeles Crest Highway, Angeles National Forest, Californie, États-Unis(runaway car downhill sequence)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 490 375 $US (estimé)
- Montant brut mondial
- 111 $US
- Durée2 heures
- Couleur
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Complot de famille (1976) officially released in India in English?
Répondre