The Onedin Line

Série télévisée
1971–1980
Tous publics
50min

NOTE IMDb

MA NOTE

Peter Gilmore and Anne Stallybrass in The Onedin Line (1971)

Ajouter une intrigue dans votre langueJames Onedin marries Anne Webster in order to get his hands on a ship. However the marriage turns out to be one of true love. James is ruthless in his attempt to get a shipping line started ... Tout lireJames Onedin marries Anne Webster in order to get his hands on a ship. However the marriage turns out to be one of true love. James is ruthless in his attempt to get a shipping line started in Liverpool of the 1860s.James Onedin marries Anne Webster in order to get his hands on a ship. However the marriage turns out to be one of true love. James is ruthless in his attempt to get a shipping line started in Liverpool of the 1860s.

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NOTE IMDb

7,6/10

1,2 k

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Voir les informations de production sur IMDbPro

Nomination aux 4 BAFTA Awards
- 4 nominations au total

Épisodes91

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HautLes mieux notés8 saisons9 ans

Anecdotes
Peter Gilmore (James Onedin) and Anne Stallybrass (Anne Onedin) were married in real life as well as in The Onedin Line. They owned a cottage which they called Onedin House, in Dartmouth, Devon. It was used as a filming location for the series.

Connexions
Featured in The Little and Large Show: Épisode #2.0 (1980)

Bandes originales
Opening music from Spartacus Suite
Written and conducted by Aram Khachaturyan (as Khachaturian)
Performed by Wiener Philharmoniker
Adapted by Anthony Isaac
[series title theme]

Avis des utilisateurs13

Commenter

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8/10

Knocking off a point for the clunky studio-bound scenes - otherwise it's great

Gosh, this is good.

I started watching the repeats as it's a programme that my parents used to watch every week and I remembered the great opening credits with the scenes of the ship out at sea and the famously romantic music.

For all its technical limitations, this show could give any modern TV series a run for its money. Fascinating historical detail, intelligent and well-rounded characters, great performances, and a profoundly gritty realism without being self-consciously so.

The women are also a joy: complex, able and utterly real.

Granted, the studio-bound scenes look really clunky, but this is offset by the myriad location work either in port or out at sea.

Recommended.