Les chasseurs de scalps

Titre original : The Scalphunters

1968
Not Rated
1h 42min

NOTE IMDb

6,7/10

4,7 k

MA NOTE

Forced to trade his valuable furs for a well-educated escaped slave, a rugged trapper vows to recover the pelts from the Indians and later the renegades that killed them.

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Classical Western Parody Satire Slapstick Comedy Drama Western

Ajouter une intrigue dans votre langueForced to trade his valuable furs for a well-educated escaped slave, a rugged trapper vows to recover the pelts from the Indians and later the renegades that killed them.Forced to trade his valuable furs for a well-educated escaped slave, a rugged trapper vows to recover the pelts from the Indians and later the renegades that killed them.Forced to trade his valuable furs for a well-educated escaped slave, a rugged trapper vows to recover the pelts from the Indians and later the renegades that killed them.

Voir les informations de production sur IMDbPro

NOTE IMDb

6,7/10

4,7 k

MA NOTE

Voir les informations de production sur IMDbPro

Récompenses
- 3 nominations au total

Scalphunter
(non crédité)

Pedro Aguilar

Kiowa
(non crédité)

Marco Antonio Arzate

Scalphunter
(non crédité)

Alicia De Lago

Scalphunter's woman
(non crédité)

Néstor Domínguez

Kiowa
(non crédité)

Réalisation
- Sydney Pollack
Scénario
- William W. Norton
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Production, box office et plus encore chez IMDbPro

Histoire

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Anecdotes
Burt Lancaster had met Ossie Davis on the historic Martin Luther King "Civil Rights March on Washington" on Aug. 28, 1963. This chance meeting led to the talented Davis being cast as "Joseph Winfield Lee", the runaway slave who uses his clever, resourceful ways to manipulate fur trapper "Joe Bass" (Lancaster) in the film. Lancaster also stated that first time screenwriter William W. Norton submitted such a unique, clever script, that he just had to do the film.

Gaffes
Set in 1860, Joseph mentions the planet Pluto, discovered in 1930.

Citations
Joseph Lee: [walking behind Joe Bass and his horse] What about me, sir?
Joe Bass: I'll just sell you to the highest bidder.
Joseph Lee: Could you mske that to a Comanche, sir?
Joe Bass: You seem to have an uncommon prejudice against service to the white-skinned race!
Joseph Lee: I don't mean to be narrow in my attitude. Could I ask you what's your name, sir?
Joe Bass: Joe Bass.
Joseph Lee: Well, Mr. Bass, couldn't you kind of consider me a captured Comanche?
Joe Bass: [both Joe Bass and his horse turn around and do a 'take']
Joseph Lee: I came on my own two feet as far as those Comanches. It was my intent to circle south as far as Mexico. The Mexicans have a law against the slavery trade, and since those Indians captured me from other Indians. I have now got full Indian citizenship.
Joe Bass: Joseph Lee, you ever study the law?
Joseph Lee: No, sir.
Joe Bass: Well, neither did I, but you ain't got a chance in hell of calling yerself an Indian! You're an African slave by employment, black by color!

Connexions
Featured in Film Review: Burt Lancaster (1968)

Bandes originales
In Our Lovely Deseret
(uncredited)
Lyrics by Eliza R. Snow
Music by George Frederick Root
Performed by Shelley Winters

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7/10

pretty good

Trapper Joe Bass (Burt Lancaster) is intercepted by Two Crows and his braves. He is forced to trade all of his furs for an educated slave named Joseph Lee (Ossie Davis). Lee had escaped from Louisiana and captured by one tribe after another. Bass has no use for him as he pursues Two Crows. They track down the Indians and find them attacked by a group of white scalp hunters led by the ruthless Jim Howie (Telly Savalas). The governments are paying $25 for every Indian scalp; men, women, or children. Miss Kate (Shelley Winters) is tired of living on the road with Howie and can't wait to be a Lady in Mexico.

It's a comedic action western. It has its fun. It has its drama. As a buddy western, I would have liked Lancaster and Davis to stay together. I had expected them to run into Two Crows soon after the introduction of the Scalphunters. That's a fun relationship that deserves more time. Sometimes, the comedy is too light. All in all, this is what it is and it's a pretty good western from Sydney Pollack.